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A dada-like exploration of fakeness and reality in which the inconsistencies of parallel truths are revealed

The largest information resource we have, the internet, which has radically altered our modes of communication, has zero obligation to be factual. Anyone can say anything and present it as truthful, correct and unquestionable. This world wide web where anything goes has marked the advent of a posttruth world where the boundary between fact and fiction becomes more difficult to discern and the distinction between truth-telling and lies less clear. This new reality has permeated our lives, infiltrating the apparent with ambiguity and staining the effable with ambivalence.
PRESENTED IN THE FRAME OF Tanzfestival Winterthur (Theater am Gleis), Show-Off (Tanzhaus Zürich) SUPPORT Tanzhaus Zürich, BNP Paribas Swiss Foundation, Migros-Kulturprozent, Landis & Gyr Stiftung, 2019
https://www.thefield.ch


References

Full spec

anderesformat
1 Foto , 1 Video
camera
dauer
doctype
Dokumentation einer Performance/Aktion / Documentation of a performance/action
eventcurator
eventplace
PRESENTED IN THE FRAME OF Tanzfestival Winterthur (Theater am Gleis), Show-Off (Tanzhaus Zürich) SUPPORT Tanzhaus Zürich, BNP Paribas Swiss Foundation, Migros-Kulturprozent, Landis & Gyr Stiftung
festival
function
Performerin
jahrgang
The Field: 2019 / Mirjam Jamuna: 1991
medium
Video 16:9
performers
Whitaker, Declan (Concept); Demandt, Maria (Choreography; Performance); Gugerli, Lucia (Choreography; Performance); Piton, Pierre (Choreography; Performance); Whitaker, Declan (Choreography; Performance); Zweifel, Mirjam Jamuna(Choreography; Performance); Moro, Lea (Mentoring); Streit, Marc (Mentoring); Baumgartner, David (Lighting); Piton, Pierre (Music); Demandt, Maria (Scenography; Costume)
remark
VIDEO original: Marc Nathmann | yourstage.live REWORK COLLAGE: Pierre Piton
schlagwort
Genres:Tanzperformance;Bezüge:Drag;Bezüge:Popkultur;Bezüge:Social Media;Themen:Massenmedien;Mittel:Choreografie;Players:Kollektiv;Räume:Bühne
sprache
eng