Transpositionality and Artistic Research

Schwab, Michael; Schwab, Michael

Marcel Duchamp’s <i>Fountain</i> (1917) is probably the most famous engagement with expositionality (Schwab 2011a, 2012, 2014; Schwab and Borgdorff 2014b) in the history of art. Expositionality, understood in its most general sense, is <i>the articulation of something as something else</i> . Here, the title Fountain captures how a “piece of plumbing” (Duchamp’s own words in “The Richard Mutt Case”) could become a work of art. This exposition of a urinal as art may be called “appropriation,” “ready-made,” and so on but, in its most basic operation, it simply consists of the gradual transposition of the urinal in question into art: bought

2018

https://www.jstor.org/stable/j.ctv4s7k96.14

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Applied Fine Performing Arts - Databases - Researchgate Applied Fine Performing Arts - Databases Applied Fine Performing Arts catalog - mediathek catalog - network catalog - Artists catalog - HGK catalog - HGKplus

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AccessDate: 2021-09-29T09:25:42Z
BookTitle: Transpositions
DateAdded: 2021-09-29T09:25:42Z
DateModified: 2021-09-29T09:27:08Z
ISBN: 978-94-6270-141-0
Key: QZYQAA77
LibraryCatalog: ResearchGate
Pages: 191-214
Publisher: Leuven University Press
Rights: https://creativecommons.org/licenses/by-nc-nd/4.0/.

- Applied Fine Performing Arts

Transpositionality and Artistic Research

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