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Transpositionality and Artistic Research

Schwab, Michael; Schwab, Michael
Marcel Duchamp’s <i>Fountain</i> (1917) is probably the most famous engagement with expositionality (Schwab 2011a, 2012, 2014; Schwab and Borgdorff 2014b) in the history of art. Expositionality, understood in its most general sense, is <i>the articulation of something as something else</i> . Here, the title Fountain captures how a “piece of plumbing” (Duchamp’s own words in “The Richard Mutt Case”) could become a work of art. This exposition of a urinal as art may be called “appropriation,” “ready-made,” and so on but, in its most basic operation, it simply consists of the gradual transposition of the urinal in question into art: bought
2018
https://www.jstor.org/stable/j.ctv4s7k96.14

Tags

art artistic research transpositionality applied fine performing arts researchgate databases

Queries

Applied Fine Performing Arts - Databases - Researchgate Applied Fine Performing Arts - Databases Applied Fine Performing Arts catalog - mediathek catalog - network catalog - Artists catalog - HGK catalog - HGKplus

Full spec

AccessDate
2021-09-29T09:25:42Z
BookTitle
Transpositions
DateAdded
2021-09-29T09:25:42Z
DateModified
2021-09-29T09:27:08Z
ISBN
978-94-6270-141-0
Key
QZYQAA77
LibraryCatalog
ResearchGate
Pages
191-214
Publisher
Leuven University Press
Rights
https://creativecommons.org/licenses/by-nc-nd/4.0/.

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