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From the sketch to the thesis. Artistic research in musical composition based on style

The composer-researcher nowadays approaches his artistic
product from theoretical perspectives to understand the
dimension of his creation. This presentation presents the partial
progress of a larger work. As a problem, the absence of research
methods in the arts was detected in advanced composition
students to define their own music; Based on this, alternatives
were sought that, from other areas such as aesthetics and musical
analysis, oriented towards style as an object of artistic research.
Our objectives are to expose and describe strategies that allow
the composer-thesis writer to argue his style, from objective
elements from the personal imagination. The methodology was
autoethnographic: field records, recording of class sessions,
individual and collective reflection, as well as workshops for
group review of artistic products; Each student kept a creation
log about their own process of creation and stylistic definition.
As a partial result, it is considered that the gestation of a personal
memory allows self-definitions in the search for a personal voice
that can at the same time be evaluated by academic peers.
July 5, 2021
https://www.researchgate.net/publication/352996684_From_the_sketch_to_the_thesis_Artistic_research_in_musical_composition_based_on_style


Full spec

DateAdded
2021-09-29T08:59:24Z
DateModified
2021-09-29T09:04:59Z
Key
92B4RV3T
LibraryCatalog
ResearchGate
Pages
187-204
PublicationTitle
Avances
Rights
https://creativecommons.org/licenses/by-nc-nd/2.0/
Volume
30