| titel | year | author | event |
|---|---|---|---|
e-flux Index #3 |
e-flux
|
||
Let's Mobilize: What is Feminist Pedagogy – Workbook |
2016 | ||
Teaching to Transgress Toolbox |
|||
Who is in the Classroom? |
2022 | ||
Library, A Network of Relations |
|||
Sharing Knowledge in the Arts |
|||
Ecologies of dissemination |
2025 | ||
Teaching the Radical Catalogue – a Syllabus |
|||
The Power to Name and Frame |
2025 | ||
Confronting authorship, constructing practices – how copyright destroys collective practice |
2019 | ||
Ecologies of Dissemination: decolonial knowledge practice, feminist methodology and Open Access |
|||
Help! David Cameron likes my art |
2018 | ||
Reading the Library. Eine Ausstellung zu feministischen und de-kolonialen Ansätzen der Wissensordnung |
2021 | ||
Library Underground – A reading list for a coming community |
2016 | ||
An intersectional feminist approach to publishing. It’s not only about what I share, but how I share it |
2024-11 | ||
One publishes to find comrades |
2021 | ||
Man schenkt keinen Hund - (No): Bildbeschreibungen und Interviews |
2019 | ||
Vaal: my father has a cement mixing truck |
2018 | ||
Jana und ihr Erlebnis mitten in der Nacht |
2018 | ||
Economic words |
2021 | ||
Spiritus Lokki |
2022 | ||
More verb, less noun – Publishing as collective practice |
2019 | ||
Megazin 3: Zur radikalen Gleichwertigkeit von Erfahrungen |
2023 | ||
Karabé. 16 Abenteuer des Käfersammlers Ruben Schwarz auf der Insel Lemusa |
2021 | ||
Spielclub: Kinder Stadt Geld |
2024 | ||
Never mind the nineties: eine Medienarchäologie des Kunststandorts Berlin |
2021 | ||
Eine Flexible Frau: Drehbuch und Materialien |
2022 | ||
The scream of the strawbear |
2023 | ||
Cold lens as a filter |
2023 | ||
Between you and me |
2019 | ||
Megazin 6: Direktübertragung |
2023 | ||
Megazin 1: Saga |
2023 | ||
I only work with lost and found: [Goldrausch 2024] |
2024 | ||
On the edge of: Goldrausch 2023 |
2023 | ||
Tender hooks: Goldrausch 2022 |
2022 | ||
X properties (english edition) |
2022 |