| Titel | Jahr | Verfassende | Collection | |
|---|---|---|---|---|
|
Masked Identity In Color / Colored Identity In Mask |
2020 |
[Parvez] et al.
|
Revolving Histories
Visarte Corona Call
|
|
flags 2 - Recherche |
2021 |
Magos, Gabriel
|
Revolving Histories
|
|
whiteflag |
ab 2019 |
Magos, Gabriel; verschiedene
|
Revolving Histories
|
|
A Song For Them Too |
2017 |
[Parvez] et al.
|
Revolving Histories
Legs Basel
|
|
flags 4 - flags process(ion) sculpture |
ab 2020 |
Magos, Gabriel
|
Revolving Histories
|
|
flags 7 - flags labor 1 (Einreichung 9) |
2021 |
Magos, Gabriel et al.
|
Revolving Histories
|
|
|
Apparently it is important that the thing moves |
2018 |
Naegelin, Barbara et al.
|
Revolving Histories
DOCE EN DICIEMBRE 2018
|
|
|
The Prisoners Dilemma Model +- staged |
2015 |
Naegelin, Barbara et al.
|
Revolving Histories
Masterpräsentation
|
|
|
Hochsee |
2013 |
Hausheer, Angela [Kollabor] et al.
|
Revolving Histories
perform now! # 2
|
|
Postcolonial Auction |
2019 |
[Parvez]; Mess, Willem
|
Revolving Histories
SUMME-Jubiläum+Auftakt – Performance Program
|
|
Garden Of Solidarity |
2021 |
[Parvez]; Molleur, Chantal
|
Revolving Histories
Corona Call Visarte - Basel exhibition
|
|
The Hunt #1 |
2020 |
[Parvez] et al.
|
Revolving Histories
Must Or Not
|
|
The Hunt #2 |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION (Solo Show)
|
|
So ein Tag so wunderschön wie Heute |
1994 |
Zappata, Victoria et al.
|
Revolving Histories
|
|
flags 11 - "Dreamtimespace" ( Einreichung 13) |
2021, 2022 |
Magos, Gabriel et al.
|
Revolving Histories
|
|
Disrupt The Performance #3 |
2020 |
[Parvez] et al.
|
Revolving Histories
Performance Reihe Neu-Oerlikon
|
|
Öffentliche Abschiebung |
2007 |
Belobrovaja, Marina et al.
|
Revolving Histories
|
|
kunstwette.ch |
2010 |
Belobrovaja, Marina et al.
|
Revolving Histories
|
|
Libertad 2.0 |
2018 |
[Parvez] et al.
|
Revolving Histories
Performance Open Air
|
|
Tiefe Wasser |
2013 |
Rohner, Isabel et al.
|
Revolving Histories
Wuppertaler Performancenacht Wuppertal (D)
|
|
snepal |
2005 |
Köfer, Andri [köfer | hess] et al.
|
Revolving Histories
|
|
Nous sommes partout |
2021 |
Pilon, Hichmouland et al.
|
Revolving Histories
|
|
|
Die Zürcher Künstlerin / Die Luzerner Künstlerin / Die Basler Künstlerin |
2016, 2017, 2019 |
Huber, Judith; Kühne, Ralph
|
Revolving Histories
Legs Zürich, PANCH Neubad Luzern, DOCK Basel
|
|
In die Ecke getrieben ist Anfriff immer noch die beste Verteidigung |
2019 |
Barth, Claudia
|
Revolving Histories
ACT Festival
|
|
Ask Me Anything |
2019 |
[Parvez]; Fischer, Peter
|
Revolving Histories
L21 Performance Reihe / L21 Performance Series
|
|
Q Bar |
2019 |
[Parvez] et al.
|
Revolving Histories
Solo Performance
|
|
COMMODI-FICTION |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION
|
|
|
Limbo Live |
2007 |
[Andalus] et al.
|
Revolving Histories
ZhdK Diplomausstellung 2007
|
|
Freiheitsentziehungssache |
2020, 2021 |
Barth, Claudia
|
Revolving Histories
6x2 Duo Festival / Wildwuchsfestival
|
|
Tableaux Très Vivants |
2013 |
[Roma Jam Session art Kollektiv] et al.
|
Revolving Histories
Guess Who's Coming to Dinner: Hospitality as Artistic Practice
|
|
Colonizing M1 |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION
|
|
|
Nous partîmes 500 |
1984 |
Rosset, Anne et al.
|
Revolving Histories
de la Bâtie
|
|
AKTION STACHELDRAHT |
2007 |
Vogel, Andrea; Buchholz, Jan
|
Revolving Histories
|
|
Pedro Meier – 2016 – Body Counting – Vor Jahren arbeiteten hier Menschen - Performance – Art Campus Attisholz Areal – Schweiz |
2016 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2016
|
|
Oppressed by Privilege / Privileged by Oppression |
2017, 2018 |
Brugger, Daniela et al.
|
Revolving Histories
New Swiss Performance Now
|
|
It depends entirely upon the hue of the lighting |
Siehe pdf |
Köhle, Petra et al.
|
Revolving Histories
Diverse (siehe pdf)
|