| Titel | Jahr | author | Event |
|---|---|---|---|
In die Ecke getrieben ist Anfriff immer noch die beste Verteidigung |
2019 |
Barth, Claudia
|
ACT Festival
|
Ask Me Anything |
2019 |
[Parvez]
|
L21 Performance Reihe / L21 Performance Series
|
Q Bar |
2019 |
[Parvez]
|
Solo Performance
|
COMMODI-FICTION |
2021 |
[Parvez]
|
COMMODI-FICTION
|
Limbo Live |
2007 |
[Andalus]
|
ZhdK Diplomausstellung 2007
|
Freiheitsentziehungssache |
2020, 2021 |
Barth, Claudia
|
6x2 Duo Festival / Wildwuchsfestival
|
Tableaux Très Vivants |
2013 |
[Roma Jam Session art Kollektiv]
|
Guess Who's Coming to Dinner: Hospitality as Artistic Practice
|
Colonizing M1 |
2021 |
[Parvez]
|
COMMODI-FICTION
|
Nous partîmes 500 |
1984 |
Rosset, Anne; Pache, Raoul-Patrick
|
de la Bâtie
|
AKTION STACHELDRAHT |
2007 |
Vogel, Andrea
|
|
Pedro Meier – 2016 – Body Counting – Vor Jahren arbeiteten hier Menschen - Performance – Art Campus Attisholz Areal – Schweiz |
2016 |
Meier, Pedro
|
Art Campus Attisholz – Kettenreaktion 2016
|
Oppressed by Privilege / Privileged by Oppression |
2017, 2018 |
Brugger, Daniela; Bruggmann, Vera
|
New Swiss Performance Now
|
It depends entirely upon the hue of the lighting |
Siehe pdf |
Köhle, Petra; Vermot-Petit-Outhenin, Nicolas
|
Diverse (siehe pdf)
|
Im Gjätt |
2019 |
Caraco, Françoise; Germann, Monica; Hagmann, Sabine; Hofer, Susanne; Kalt, Tanja; Maag, Georgette; Michell, Regula; Müller, Irene; Rutishauser, Eliane; Spörri, Regula
|
Plateaux Festival - Werte schaffen
|
dein preis ist mein preis, 1990 |
1990 |
Performance topic: a new art center for the city of Biel-Bienne
|
|
The wrong work at the wrong time for the wrong place, 1991 |
1991 |
Ausstellung "8 X 2 AUS 7"
|
|
the big sellout |
1998 |
Ausstellung "Switzerland on the move Pulchri Studio, The Hague"
|
|
Jäger von Zoest - A fine Art Concept |
2012 |
Natsch, Yolanda Esthersther Esther; Bürgi, Yolanda; König, Lysann
|
Liste Art Fair Basel
|
Hier baut das Kunsthaus Aussersihl |
2018 |
Bucher, Gina; Germann, Monica; Hepsev, Seda; Hofer, Susanne; Hofer, Urs; Maag, Georgette; Menzi, Joelle; Michell, Regula; Ruiz de Sabando, Ana Rakel; Schnederle, Ruth; Sieber, Sebastian; Spörri, Regula; Visser, Jeroen; Wiersch, Latefa; Cuttat, Desirée; Zimmermann, Anita; and friends
|
Stundengalerie vor der Amboss Rampe, Kunst Szene Zürich 2018
|
Standing |
23. Dezember 2017 - 20. Dezember 2018 |
Scherrer, Ursula
|
|
drei kreise |
2014 |
Zacek, Peter; Köppl, Jörg
|
le mouvement - performing the city - Schweizer Plastikausstellung
|
Die Überschrift |
2009 |
Hagmann, Sabine; Maag, Georgette; Michell, Regula; Schnederle, Ruth; Hofer, Susanne; Bürgin, Mirjam; Niederhauser, Andreas; Christoforidis, Christos
|
|
Protest |
2019 |
Geröcs, Julia
|
Werkschau 19
|
Chapter 15 – Sci-Fi Opera: Loop Station Island Sleep Tracking App |
2015 |
Guerra, Louise
|
Jungs, hier kommt der Masterplan, Regionale 16, Kunsthalle Basel
|
MIGRANT-IN |
2016 |
Koller, Sara
|
|
Still in Paradise |
2018 |
Duyvendak, Yan; Ghayatt, Omar
|
Premiere @ Kunsthof Zurich
|
ACTIONS |
2018 |
Cilins, Nicolas; Duyvendak, Yan; Sugnaux Hernandez, Nataly
|
|
Clandestinity |
2018 |
Lisi, Riccardo
|
Prisma, solo show
|
Utopia Nations (Checkpoint) |
2008 |
Fadhil, Al
|
Seek Refuge
|
Permit F |
2008 |
Fadhil, Al
|
Shifting Identities
|
Grenzgang |
2017 |
Maag, Irene
|
Ausstellung "How to blur lines"
|
SPEAK UP |
2016 |
Wildberger, Martina-Sofie
|
|
In The Name of… |
2012 |
Atem, Gen
|
|
PEACE 24.02.2022 |
2022 |
Vogel, Andrea
|
|
tableau vivant (Utopien) |
1999 |
Emch, Peter
|
|
Immer wieder |
2019 |
Rosa, Tiziana
|
The Gathering
|