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Langzeitprojekten artikulieren KünstlerInnen für die Ausstellung OPEN SCORES ihre eigenen Formen von (digitalen) Commons Oktober 2019, panke.gallery, Berlin DOI: 10.5281/zenodo.3873268 Publisher: Zenodo laws / rules OPEN SCORES – How to Program the Commons values Tensions between values and laws/rules : How do we define collectively on what we agree? Which values do we have in common? The rules are not negociable, are they? Coutinoh Furtherfield, Score for cultural decision making Culture Stake notated on the DAOWO, Open Score for Artworld Commoning, August 2019 21.

DOI: 10.5281/zenodo.3897217 Seite 38 AUTOR 38 K21941_SEITE_038_059 05.11.2002 7:58 Uhr Seite 39 ENTWICKLUNG DER LANDSCHAFT sondern mangelnde Erfahrung durch Simulation und die blosse Vermittlung von Information sublimiert.»38 S. 6. 38> Kenneth Frampton: Kritischer Regionalismus. Moderne Architektur und kulturelle Identität. Bauformen sinnliche Erfahrungen und Stimmungen zu erzeugen, die jenseits von bestimmten Bildern liegen.38 Chur 1981. 38> Irma Noseda: Peter Zumthor.

Data was collected through observations of the classes, interviews with the artist, and a series of written He developed the class into a working collective by centering investigations around themes and concrete material which created new and common experiences for the group. The students reported that the multidisciplinary make-up of the class working as a collective created the Art Education Research Group. contact Diane carp: d.carp@tiscali.nl Open Closed Print was ‘to set up a space of exchange outside instituted disciplines, formulating larger questions that 38 of the course played a central role in the content. and creates a fresh commonality. to create common ground. (Eds.), Denken in kunst Theorie en reflectie in het kunstonderwijs (pp. 38-49).

Digital artworks tend to have a problematic relationship with the white cube – in particular, when they While curators and exhibition-makers usually try to avoid showing such works altogether, or at least The exhibition took place at the Onassis Cultural Center in Athens in March 2018 and was part of the This text takes the event – and the exhibition in particular – as a starting point for a closer look at UbuWeb and the role an artistic approach can play in building cultural memory within the neoliberal T R I BU T E TO T H E C R E AT ION OF C U LT U R A L M E M ORY A N D T H E C OM M ON S C OR N E L IA such as make a case for changing cultural needs, to non-commercial and non-public use, authorship In fact, there are no comparable official Ubu archive.38 Although all works were production, where of art projects for the creation of commons: “creating commons,” http:// creatingcommons.zhdk.ch/ (accessed on Sept. 30, 2018). 38 One of Ubu’s features online has been the “top ten”, the idea to invite guests

booklet was published in the framework of the ELIA (European League of the Institutes of the Arts) conference The booklet was handed out during the conference and performed by SARN board members. the basis of a lecture/performance, held at the HGK (Academy of Art and Design) in Basel as a contribution to the theme „Economies of aesthetics,“ which implied that artistic research is a central playground Claudia Mareis, Designer, cultural scientist, Head ixdm HGK FHNW Nº 9 Why such concern about methods Can it be artistic? What about curatorial research? Nicole Henning, Artist, Zurich Nº 38 Why do we have to talk in English when we talk about artistic How could they complete or substitute each other? Julie Harboe, Art historian, critic, curator, Zurich / Lucerne Nº 61 Can we change the conversation

Rethinking Density: Art, Culture, and Urban Practices considers new perspectives and discussions related to the category of density, which for a long time has been part of urban-planning discourses and is In an interplay of models, coping strategies, and experimental approaches, this publication combines the historical layers of a city, a proposal for spacesharing concepts as instruments for urban revitalization With contributions by Anna Artaker, Anamarija Batista, Marc Boumeester, Meike S. Suitner 22 Unframing Urban Density: The Somaesthetic Cartography of Intensities Marc Boumeester 38 by Design, 40. 38 Tulumello, “Reconsidering Neoliberal Urban Planning in Times of Crisis.” 39 Ibid. Fig. 38 Jessica Dolby, Csepel Works, 2015 14 Ibid., 184–85. Identities 19, no. 4 (2012): 380–97. Courtesy of the artists. Fig. 38 Jessica Dolby, Csepel Works, 2015. Photograph.

This publication contains a collection of articles, illustrations and scores of European composers belonging characterized by audiovisual elements, theatricality, corporeality and conceptuality. The hybrid character of their work problematizes any attempt to categorization, even to the extent that Instead, we hope to lay bare some common drives and motives for a renewal of contemporary music practice Open Closed Print contribution involves conceptual creativity; an artistic thinking that challenges the very concept of In the case of the conductor this becomes more complex. , Darjeeling and Eisenhower, 2008 38 39 Letter Piece No. 5: Northern Cities Duo for two performers Yet, my choice to create them anyhow is to be considered as a creative act. To be continued ..! 59 Laura Maes Composers constantly seek new challenges.

CIOS greift auf, was wichtig ist für das Lernen im Freien: überraschende Unordnung, die Möglichkeit, Ob im Park, neben der Wohnsiedlung oder im Schulhof, CIOS lässt sich dank dem modularen Fundament in Genauso vielfältig wie die Platzierung ist, sind auch die Möglichkeiten, mit CIOS das Spielen und sich ALINA 38 39 BA CARLA ALINA KONZEPT NR. 1 Statik ist instabil --> darum Konzept 2 40 41 KONZEPT BA CARLA ALINA 64 65 BA CARLA ALINA UNSER PRODUKT 66 67 BA CARLA ALINA CIOS 68 01. so Open: May CIOS to October. ermöglich Closed nebstduring der Förderung the summer vonholidays! ALINA 104 105 BA CARLA ALINA 106 107 BA CARLA ALINA 108 109 BA CARLA ALINA FUn 110 111 BA CARLA ALINA 112 113 BA CARLA ALINA 114 115 BA CARLA ALINA 116 117 BA CARLA ALINA