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The Surplus of Copying: How Shadow Libraries and Pirate Archives Contribute to the Creation of Cultural Memory and the Commons

Sollfrank, Cornelia
Digital artworks tend to have a problematic relationship with the white cube – in particular, when they are intended and optimized for online distribution. While curators and exhibition-makers usually try to avoid showing such works altogether, or at least aim at enhancing their sculptural qualities to make them more presentable, the exhibition Top Tens featured an abun…
Berlin, 2019-01-01
https://zenodo.org/record/3908391#.YEDKZtwxlaQ

+ ID: 562159 + Reihentitel: Edition Angewandte

Tags

commons copyright pirate libraries shadow libraries context:snf project applied fine performing arts institute for contemporary art research forschungsinstitute

Queries

Applied Fine Performing Arts - Forschungsinstitute - Institute for Contemporary Art Research Applied Fine Performing Arts - Forschungsinstitute Applied Fine Performing Arts catalog - mediathek catalog - network catalog - Artists catalog - HGK catalog - HGKplus

Full spec

AccessDate
2021-03-04T12:43:29Z
BookTitle
originalcopy – Post-Digital Strategies of Appropriation
DateAdded
2021-03-04T12:43:29Z
DateModified
2021-07-22T13:52:23Z
ISBN
978-3-11-063215-6
Key
V2MH9J7V
Language
eng
LibraryCatalog
Zenodo
Pages
338 - 345
Publisher
De Gruyter
Rights
https://creativecommons.org/licenses/by-nc-sa/3.0/legalcode
ShortTitle
The Surplus of Copying

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