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Gäste/ Heidi Eisenhut (Schauwerk Trogen, Kantonsbibliothek Appenzell Ausserrhoden; vertreten durch Denkpool I/V: Archive des Ephemeren und Datenbanken Freitag, 23. Herzliche Einladung zum Denkpool I/V: Archive des Ephemeren und Datenbanken Der Denkpool I/V Archive • Wie könn(t)en moderate (Metadaten-)Modelle der Archivierung aussehen? Heidi Eisenhut: Schauwerk Trogen, Kantonsbibliothek Appenzell Ausserrhoden • Birk Weiberg, Schweizer und Policies (Denkpool II/V; SIK-ISEA Zürich) • 18.08.2018: Archive des Ephemeren und Wilde Archive

The working group Performative Archives of the PANCH – Performance Art Network CH was given the opportunity in the autumn of 2017 to launch a broad cultural debate on the archiving and transmitting of performance art. It was and is important for the AG to regard the artistic view of the archive at eye level with theoretical approaches and thus to rethink the archive from the bottom up. art that influential stakeholders are needed who repeatedly point out the archival expertise of artists . 23.03.2018 Academy of Art and Design FHNW Basel 12 Guests: Heidi Eisenhut ( Schauwerk Trogen, Kantonsbibliothek In the contribution about the Schauwerk in Trogen, the eponymous concept was presented by René Schmalz Gaps and voids are our material, because they are. We are with them – we are mull over the gap. Trogen AR 2005 - 2013, aktive Projektphase 2006 - 2011 ApresPerf Internet-Plattform für Texte zu aktuellen

Les Urbaines), Michael Hiltbrunner (Zürcher Hochschule der Künste), Sibylle Omlin (BONE Performance Art Denkpool III/V: Archive des Ephemeren und «wilde» Archive Samstag, 18. Einladung zum Denkpool III/V: Archive des Ephemeren und «wilde» Archive Der Denkpool III/V: Archive des Ephemeren und «wilde» Archive widmet sich dem Thema Archivierung von Performancekunst in «wilden» Wir untersuchen Fragen hinsichtlich «wilder» Archive aus künstlerischer und archivpraktischer Sicht wie Omlin (BONE Performance Art Festival Bern): 20 Jahre Künstler*innen, Kurator*innen, Archive… mediale

The importance of learning to look is so great within the disciplines of architecture, urbanism and landscape architecture that the wish arose to invite a photographer to an Artist in Residency at the Academy of Architecture. The research area of ​​the Winter School 2017 is the former Marine Establishment ('het Marineterrein' The students are asked to experience the time and space by the sensors of a photographer.