Feminism and Postmodernism in the visual art

Adams, Parveen. 1990. „A Note on the Distinction between Sexual Division and Sexual Difference“. In The Woman in Question: M/f. Cambridge Mass.: MIT Press.

Bryson, Norman. 1993. „House of Wax“. In Cindy Sherman : 1975-1993, 216–23. New York: Rizzoli.

Bürger, Peter. 1996. Theory of the Avant-Garde. Minneapolis: University of Minnesota Press.

Butler, Judith. 1992. „Contingent Foundations: Feminism and the Question of ‘Postmodernism“. In Feminists Theorize the Political, 3–21. New York: Routledge.

Cixous, Hélène. 1981. „The Laugh of the Medusa“. In New French Feminisms : An Anthology. New York: Schocken Books.

Deutsche, Rosalyn. 1986. Hans Haacke: Unfinished Business : [Exhibition Catalogue, December 12, 1986 – February 15, 1987] The New Museum of Contemporary Art, New York : Essays. Cambridge: MIT Press.

———. 2006. „Not-Forgetting: Mary Kelly’s Love Songs“. Grey room : architecture, art, media, politics, Nr. 24.

Deutsche, Rosalyn, Aruna D’Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, und Senam Okudzeto. 2008. „Feminist Time: A Conversation“. Grey room : architecture, art, media, politics, Nr. 31.

Foster, Hal. 1983. „Postmodernism: A Preface“. In The Anti-Aesthetic : Essays on Postmodern Culture. Port Townsend, Wash.: Bay Press.

Freud, Sigmund. 1962. „Infantile Sexuality“. In Three Essays on the Theory of Sexuality, 39–72. New York: Basic Books.

———. 1968a. „Fetishism“. In Sexuality and the Psychology of Love. New York: Collier Books.

———. 1968b. „Medusa’s Head“. In Sexuality and the Psychology Love. New York: Collier Books.

Fried, Michael. 1968. „Art and Objecthood“. In Minimal Art : A Critical Anthology. New York: E.P. Dutton.

Greenberg, Clement. 1966. „Modernist Painting“. In The New Art : A Critical Anthology, herausgegeben von Gregory Battcock. New York: E.P. Dutton.

———. 1984. „Avant-Garde and Kitsch“. In Art and Culture : Critical Essays. Boston: Beacon Press.

Grosz, Elizabeth. 1990a. „Psychoanalysis and Scandal“. In Jacques Lacan : A Feminist Introduction, 6–23. London: Routledge.

———. 1990b. „The Ego and the Imaginary“. In Jacques Lacan : A Feminist Introduction, 24–41. London: Routledge.

Heidegger, Martin. 1977. „The Age of the World Picture“. In The Question Concerning Technology and Other Essays, 115–54. New York: Harper.

Huyssen, Andreas. 1993a. „Mapping the Postmodern“. In After the Great Divide : Modernism, Mass Culture, Postmodernism. Basingstoke: Macmillan.

———. 1993b. „Mass Culture as Woman: Modernism’s Other“. In After the Great Divide : Modernism, Mass Culture, Postmodernism. Basingstoke: Macmillan.

Iversen, Margaret. 1997. „Visualizing the Unconscious: Mary Kelly’s Installations“. In Mary Kelly, 32–85. Oxford: Phaidon Press.

Jameson, Fredric. 1984. „Postmodernism, or the Cultural Logic of Late Capitalism“. New Left Review, Nr. 146: 53–92.

Kelly, Mary. 1983. Post-Partum Document. London: Routledge and Kegan.

———. 1996a. „Mary Kelly and Laura Mulvey in Conversation“. In Imaging Desire, 28–39. Cambridge Mass.: MIT Press.

———. 1996b. „No Essential Femininity: A Conversation between Mary Kelly and Paul Smith“. In Imaging Desire, 63–76. Cambridge Mass.: MIT Press.

Krauss, Rosalind. 1984. „The Originality of the Avant-Garde: A Postmodern Repetition“. In Art after Modernism : Rethinking Representation. New York: The New Museum of Contemporary Art.

Kruger, Barbara. 1993. „Picturing ‘Greatness“. In Remote Control : Power, Cultures, and the World of Appearances. Cambridge: MIT Press.

Lacan, Jacques. 1977. „The Mirror Stage as Formative of the Function of the I“. In Écrits : A Selection, 1–7. New York: Norton.

Lauretis, Theresa de. 1984. „Imaging“. In Alice Doesn’t : Feminism, Semiotics, Cinema, 37–69. London: Macmillan.

Linker, Kate. 1996. Love for Sale: The Words and Pictures of Barbara Kruger. New York: Abrams.

Lyotard, Jean-François. 1984. „Introduction“. In The Postmodern Condition : A Report on Knowledge. Minneapolis: University of Minnesota Press.

Marcuse, Herbert. 1988. „The Affirmative Character of Culture“. In Negations: Essays in Critical Theory, 88–133. London: Free Association.

Mitchell, Juliet. 1976. Psychoanalyse und Feminismus : Freud, Reich, Laing und die Frauenbewegung. Frankfurt am Main: Suhrkamp.

Mulvey, Laura. 1989a. „Afterthoughts on ‘Visual Pleasure and Narrative Cinema” Inspired by King Vidor’s Duel in the Sun (1946)“. In Visual and Other Pleasures, 29–38. Basingstoke: Macmillan.

———. 1989b. „Fears, Fantasies and the Male Unconscious or ‘You Don’t Know What Is Happening, Do You Mr. Jones?“ In Visual and Other Pleasures. Basingstoke: Macmillan.

———. 1989c. „Visual Pleasure and Narrative Cinema“. In Visual and Other Pleasures, 14–26. Basingstoke: Macmillan.

Nochlin, Linda. 1971. „Why Have There Been No Great Women Artists?“ In Woman in Sexist Society : Studies in Power and Powerlessness. New York: Basic Books.

Owens, Craig. 1983. „The Discourse of Others: Feminists and Postmodernism“. In The Anti-Aesthetic: Essays on Postmodern Culture, herausgegeben von Hal Foster, 57–77. Port Townsend, Wash.: Bay Press.

———. 1992a. „From Work to Frame“. In Beyond Recognition : Representation, Power, and Culture. Berkeley: University of California Press.

———. 1992b. „The Indignity of Speaking for Others“. In Beyond Recognition : Representation, Power, and Culture, 259–62. Berkeley: University of California Press.

Pollock, Griselda. 1987a. „Feminism and Modernism“. In Framing Feminism : Art and the Women’s Movement 1970-1985. London: Pandora.

———. 1987b. „What’s Wrong with ‘Images of Women’?“ In Framing Feminism : Art and the Women’s Movement 1970-1985, 132–38. London: Pandora.

Rose, Jacqueline. 1986. „Femininity and Its Discontents“. In Sexuality in the Field of Vision, 83–103. London: Verso.

Ross, Andrew. 1988. „Introduction“. In Universal Abandon? : The Politics of Postmodernism. Minneapolis: University of Minnesota Press.

Spivak, Gayatri. 1990. „The Post-Modern Condition: The End of Politics?“ In Spivak, The Post- Colonial Critic: Interviews, Strategies, Dialogues, 17–34. London: Routledge.

Wallis, Brian. 1984. „What’s Wrong with This Picture? An Introduction“. In Art after Modernism : Rethinking Representation. New York: The New Museum of Contemporary Art.

Weinstock, Jane. 1983. „What She Means, to You“. In Barbara Kruger – We Won’t Play Nature to Your Culture, 12–16. London: Institute of Contemporary Arts.

Wigley, Mark. 1995. „Lost and Found“. In You Are Here: Architecture and Information Flows. Barcelona: Museu d’Art Contemporani.

Williamson, Judith. 1986. „A Piece of the Action: Images of ‘Woman’ in the Photography of Cindy Sherman“. In Consuming Passions : The Dynamics of Popular Culture, 91–113. London: Boyars.

Wilson, Elizabeth. 1981. „Psychoanalysis: Psychic Law and Order“. Feminist Review, Nr. No. 8: 63–78. https://doi.org/10.2307/1394928.