Art and Nature

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———. 2011b. Beyond Humanity?: The Ethics of Biomedical Enhancement. Oxford: Oxford University Press.

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Cole-Turner, Ronald, Hrsg. 2001. Beyond Cloning : Religion and the Remaking of Humanity. Harrisburg: Trinity Press International.

———. , Hrsg. 2011. Transhumanism and Transcendence: Christian Hope in an Age of Technological Enhancement. Washington: Georgetown University Press.

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———. 1983. „Alchemical Eggs“. The Sciences, 38–42.

Dixon, Laurinda S. 1984. „Bosch’s St. Anthony Triptych – An Apothecary’s Apotheosis“. Art Journal 44 (2): 119–31.

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Edgerton, Samuel Y. 1975. The Renaissance Rediscovery of Linear Perspective. New York: Basic Books.

———. 1980. „The Renaissance Artist as Quantifier“. The Perception of Pictures, Nr. 1: 179–213.

———. 1984. „Galileo, Florentine ‚Disegno‘ and the ‚strange Spotednesse‘ of the Moon“. Art Journal 44 (3): 225–48.

———. 1985. „The Renaissance Development of the Scientific Illustration“. In Science and the Arts in the Renaissance : (Outgrowth of a Two-Day Symposium; Washington – D. C., October 27 – 28, 1978), 168–97. Washington: The Folger Shakespeare Library.

———. 1991. The Heritage of Giotto’s Geometry: Art and Science on the Eve of the Scientific Revolution. Ithaca: Cornell University Press.

———. 1995. „Art, Science, and the Renaissance Way of Seeing“. In Yearbook of science and the future, 66–84. Chicago: Encyclopaedia Britannica.

Elkins, James. 1984. „Michelangelo and the Human Form: His Knowledge and Use of Anatomy“. Art History 7 (2): 176–86.

Elkins, James. 1992. „On the Unimportance of Alchemy in Western Painting“. Konsthistorisk Tidsskrift 61 (1–2): 21–26.

Ellenius, Allan, Hrsg. 1985. The Natural Sciences and the Arts : Aspects of Interaction from the Renaissance to the 20th Century : An International Symposium. Stockholm: Almqvist & Wiksell International.

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———. 1973. „A ‚New Route‘ in 1822: Turner’s Colour and Optics“. Journal of the Warburg & Courtauld Institutes 36: 385–90.

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Gedzelman, Stanley David. 1989. „Cloud Classification before Luke Howard“. Bulletin of the American Meteorological Sciety 70: 381–95.

———. 1990a. „Leonardo da Vinci and the Downburst“. Bulletin of the American Meteorological Sciety 71: 649–55.

———. 1990b. „The Meteorological Odyssey of Vincent van Gogh“. Leonardo : journal of the International Society for the Arts, Sciences and Technology 23: 107–16.

———. 1991a. „Atmospheric Optics in Art“. Applied Optics 30 (24): 3514–22.

———. 1991b. „Weather Forecasts in Art“. Leonardo : journal of the International Society for the Arts, Sciences and Technology 24 (4): 441–51.

———. 1992. „The Sky in Art“. Weatherwise, 8–13.

Gibbons, T. H. 1981. „Cubism and the Fourth Dimension“. Journal of the Warburg & Courtauld Institutes 44: 130–47.

Gibson, Walter. 1989. Mirror of the Earth,“ The World Landscape in 16th Century Flemish Painting. Princeton, N.J: Princeton University Press.

Gingerich, Owen. 1978. „Circumventing Newton: A Study in Scientific Creativity“. American Journal of Physics 46 (3): 202–6.

Glad, John. 2006. Future Human Evolution: Eugenics in the Twenty-First Century. Schuylkill: Hermitage Publishers.

Green, Ronald M. 2007. Babies by Design: The Ethics of Genetic Choice. New Haven: Yale University Press.

Hables Gray, Chris. 2001. Cyborg Citizen : Politics in the Posthuman Age. New York: Routledge.

Halberstam, Judith, und Ira Livingston, Hrsg. 1995. Posthuman Bodies. Bloomington: Indiana University Press.

Hall, Stephen S. 2003. Merchants of Immortality: Chasing the Dream of Human Life Extension. Boston: Houghton Mifflin.

Hansell, Gregory, und William Grassie, Hrsg. 2011. Transhumanism and its Critics. Metanexus.

Haraway, D. 1991. „Actors Are Cyborg, Nature Is Coyote, and the Geography Is Elsewhere: Postscript to Cyborgs at Large“. In Technoculture, herausgegeben von Constance Penley. Minneapolis: University of Minnesota Press.

———. 1994. „A Game of Cat’s Cradle: Science Studies, Feminist Theory, Cultural Studies. Configurations 2:1.“ In .

———. 1995. „Forward“. In Women Writing Culture, herausgegeben von Gary A. Olson und Elizabeth Hirsh. Albany, NY: State University of New York Press.

———. 1998. „Living Images: Conversations with Lynn Randolph“. In Millenial Myths: Paintings by Lynn Randolph. Tempe: Arizona State University.

Harris, John. 2007. Enhancing Evolution : The Ethical Case for Making Better People. Princeton: Princeton University Press.

Hartley, Beryl. 1996. „The Living Academies of Nature: Scientific Experiment in Learning and Communicating the New Skills of Early 19th Century Landscape Painting“. Studies in History and Philosophy of Science 27 (2): 149–80.

Haskell, Francis. 1967. „The Apotheosis of Newton in Art“. Texas Quarterly 10: 218–37.

Hawes, Louis. 1969. „Constable’s Sky Sketches“. Journal of the Warburg & Courtauld Institutes 32: 344–65.

Hayles, N. Katherine. 1999. How We Became Posthuman : Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: The University of Chicago Press.

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———. 1975. „The Merging of Time and Space: The Fourth Dimension in Russia from Ouspensky to Malavich“. The Structurist, Nr. 15/16 (76): 97–108.

———. 1981. „Italian Futurism and the Fourth Dimension“. Art Journal 41: 317–27.

———. 1983. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, N.J: Princeton University Press.

———. 1988. „X Rays and the Quest for Invisible Reality in the Art of Kupka, Duchamp, and the Cubists“. Art Journal 47: 323–40.

———. 1989. „Francis Picabia, Radiometers, and X-Rays in 1913“. The Art Bulletin 71: 114–23.

———. 1996. „Ethereal Bride and Mechanical Bachelors: Science and Allegory in Marcel Duchamp’s Large Glass“. Configurations 4 (1): 91–120.

Henderson, Linda Dalrymple. 1997. „Marcel Duchamp’s The King and Queen Surrounded by Swift Nudes (1912) and the Invisible World of Electrons“. Weber Studies 14 (1): 83–99.

Henderson, Linda Dalrymple. 1998a. Duchamp in Context: Science and Technology in the Large Glass and Related Early Works. Princeton: Princeton University Press.

———. 1998b. „The Large Glass Seen Anew: Reflections of Contemporary Science and Technology in Marcel Duchamp’s Hilarious Picture“. Leonardo : journal of the International Society for the Arts, Sciences and Technology 32 (2): 113–26.

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———. 1983. „An Examination of Claims concerning Seurat and ’The Golden Number“. Gazette des Beaux-Arts 125: 109–12.

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Holton, Gerald. 2001. „Henri Poincaré, Marcel Duchamp and Innovation in Science and Art“. Leonardo : journal of the International Society for the Arts, Sciences and Technology 34 (2): 127–34.

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———. 2006. The Singularity Is near : When Humans Transcend Biology. New York: Penguin Books.

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———. 2012. Transhumanist Dreams and Dystopian Nightmares : The Promise and Peril of Genetic Engineering. Baltimore: Johns Hopkins University Press.

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———. 1999. Robot: Mere Machine to Transcendent Mind. New York: Oxford University Press.

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———. 2013. Nexus. Nottingham, UK: Angry Robot.

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———. 2003. Redesigning Humans: Choosing our Genes, Changing our Future. Mariner.

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