Sammlungen Performance Kunst Schweiz

Anonymous (Composer)

Tags

cycle renaissance music motetcycle

Attribution

NOBLITT 1963, 144-50 and 1968 proposed an attribution to Johannes Martini. The same scholar renounced the attribution in EdM 83, 364.

Description

The cycle belongs to the “core” group of motetti missales, even though it is copied in a non-Milanese source. It consists of six motets (the fifth subdivided into three partes), the last three of which provided with “loco” rubrics. All the texts derive from the same Marian sequence, except for two brief interpolations in the last two motets.

Modern Editions

EdM 80-83, vol. 1, No. 31, 135-151; MCE 7

Notes

The title Missa in Assumptione Beate Marie Virginis included in EdM 80-83 is editorial.

Reference Source

D-Mbs 3154, No. 29, ff. 38v-43r

Other Source

-

Configuration

presence of “loco” rubrics; consensus in the "motetti missales" literature

Cycle Rubric

-

Modern Editions

EdM 80-83, vol. 1, No. 31, 135-151; MCE 7

Bibliographies

#1726: Motetti Missales of the Late Fifteenth Century
#1717: Ambrosian Motetti Missales Repertory
#1798: Der Kodex des Magister Nicolaus Leopold Staatsbibliothek München
#1787: Aut propter devotionem aut propter sonorositatem Compositional D
#1780: Audire missam non est verba missae intelligere The Low Mass and
#1786: Gaude flore virginali Message from the Black Hole

place: Basel, Switzerland

Relation

	M244 Gaude nexu voluntatis Anonymous (Composer)

	M245 Gaude mater miserorum : Domine Iesu : Meruisti maxima Anonymous (Composer)

	M243 Gaude splendens vas virtutum Anonymous (Composer)

	M247 Gaude virgo mater pura Anonymous (Composer)

	M241 Gaude flore virginali Anonymous (Composer)

	M242 Gaude sponsa cara dei Anonymous (Composer)

	Motet Cycles Anonymous (Composer)

Extra

Signature:	-
Clefs:	c1c3c3c4
Final:	C
ark:	ark:/15737/p655-vwm9-jgwj
handle:	20.500.11806/med/3hg4-0m83-0x
NumberOfVoices:	4

C55 Gaude flore virginali