Revolving Histories (#bangbang-2022)
2022-0530 MAY-MOMENT, 1
https://www.regina-simon.ch
2022-0530 MAY-MOMENT, 1
(2022)
https://www.regina-simon.ch
BLINDFOLDED-DRAW&SOUND-PERFORMANCES,XL
With my large-format structural drawings I strive for the most complex condensation possible (the paper size of 190 x 210 cm corresponds to my physical expansion possibilities without losing the initial location). Blindfolded eyes are intended to prevent my controlling tendencies in order to act as openly and authentically as possible.
The elliptical and circular strokes running in all directions and the sound pool with simple tones are intended to cover as many primitive, visual and auditory stimuli as possible. The universes created in this way are completed after physical exhaustion, which almost automatically leads to a vague formulation after an overflowing condensation.
This vague formulation interests me as something new.
My breathing, accelerated by the exertion, becomes an almost ritualistic chant that varies depending on the type of movement. They provide the basic material for my compositions. These sounds with the additional drawing noises sound monotonous, but vary in simple rhythmized tone and semitone sequences. The compositions result from the shortening of the visual and auditory video material.
Sound and drawing movements influence each other. Sound and writing are of equal value and belong together. It is a mutual inspiration/interpretation characterized by the moment.
With my large-format structural drawings I strive for the most complex condensation possible (the paper size of 190 x 210 cm corresponds to my physical expansion possibilities without losing the initial location). Blindfolded eyes are intended to prevent my controlling tendencies in order to act as openly and authentically as possible.
The elliptical and circular strokes running in all directions and the sound pool with simple tones are intended to cover as many primitive, visual and auditory stimuli as possible. The universes created in this way are completed after physical exhaustion, which almost automatically leads to a vague formulation after an overflowing condensation.
This vague formulation interests me as something new.
My breathing, accelerated by the exertion, becomes an almost ritualistic chant that varies depending on the type of movement. They provide the basic material for my compositions. These sounds with the additional drawing noises sound monotonous, but vary in simple rhythmized tone and semitone sequences. The compositions result from the shortening of the visual and auditory video material.
Sound and drawing movements influence each other. Sound and writing are of equal value and belong together. It is a mutual inspiration/interpretation characterized by the moment.
automatically translated from german
place: Atelier
KuratorIn: Simon, Regina
Dokumentationstyp: Dokumentation einer Performance/Aktion / Documentation of a performance/action
Medium
Fotos / Photos
Dauer: 5min