Revolving Histories (#bangbang-1837)
Step across the border
http://andy.guhl.net
Step across the border
(2016)
http://andy.guhl.net
Guhl, Andy
Armbruster, Sascha (Performer)
Albrecht, Jonas (Performer)
Gilson, Maude Cotton Toyo (Performer)
Faccio Pelaez, José Juan (Performer)
Minguely, Julien (Performer)
Ruckli, Christoph (Performer)
Schaufelberger, Anita (Performer)
Armbruster, Sascha (Eventcurator)
Paravicini, Gianni (Eventcurator)
Paravicini, Flurina (Eventcurator)
Guhl, Tabea (Camera)
Albrecht, Jonas (Performer)
Gilson, Maude Cotton Toyo (Performer)
Faccio Pelaez, José Juan (Performer)
Minguely, Julien (Performer)
Ruckli, Christoph (Performer)
Schaufelberger, Anita (Performer)
Armbruster, Sascha (Eventcurator)
Paravicini, Gianni (Eventcurator)
Paravicini, Flurina (Eventcurator)
Guhl, Tabea (Camera)
The Resonance Rooms - Laboratory for the Transformation of Traditional Music Performance
the event series Step across the border -
Between Improvisation and Composition at the Lucerne University of Music took place in the form of a project by the studio for contemporary music there and under the direction of Sascha Armbruster and Andy Guhl. At the end of the project on October 4, 2016, the students performed a concert on their own instruments, which they had enhanced with sensors, on Andy Guhl's original instrument and on the sound installations integrated into the workshop-concert room: Piano strings, springs, electronic amplifiers with piezo contact microphones and phototransistors for camera installations for light wave conversion as well as exhibits of Andy Guhl's self-made instruments from 1969-2016.
the event series Step across the border -
Between Improvisation and Composition at the Lucerne University of Music took place in the form of a project by the studio for contemporary music there and under the direction of Sascha Armbruster and Andy Guhl. At the end of the project on October 4, 2016, the students performed a concert on their own instruments, which they had enhanced with sensors, on Andy Guhl's original instrument and on the sound installations integrated into the workshop-concert room: Piano strings, springs, electronic amplifiers with piezo contact microphones and phototransistors for camera installations for light wave conversion as well as exhibits of Andy Guhl's self-made instruments from 1969-2016.
automatically translated from german
Additional
Für die Ausstellung Resonance Rooms - Labor zur Transformation von traditionellem Musikspiel in der Galleria Edizioni Periferia im August 2016 lud Andy Guhl aktuelle Musikerinnen und Musiker ein, auf seinem Ur-Instrument von 1975 zu spielen.
Es sind Instrumente, die er damals selbst gebaut und die grosse Irritation ausgelöst hatten. Es waren Gegenentwürfe zu den standardisierten Klangerzeugern in Form von zweckentfremdeten Alltagsgegenständen. Mit der Konzertserie von 2016 wurde die Galerie zum Labor und Transformationsort zwischen den Zeiten und Generationen. Die eingeladenen Musiker spielten und interpretierten zum ersten Mal auf dem alten Instrumentarium und konnten so für ihre eigene Arbeit die Resonanz dieser Idee erfahren – und ihren Musikbegriff mit dem Publikum erweitern.
Jonas Albrecht: Schlagzeug* (spielt Ur-Instrument)
Maude Cotton Toyo Gilson: Violine*
José Juan Faccio Pelaez: Tenorsaxophon, Sopransaxophon* (mit Videokameras)
Julien Minguely: Schlagzeug* (spielt Ur-Instrument)
Christoph Ruckli: eBass* und Effekte
Anita Schaufelberger: Klavier* (spielt Klaviersaiten und kreiert Visuals)
* Diplomabschlüsse HSLU 2016
Resonance Rooms - Labor zur Transformation von traditionellem Musikspiel
place: Galleria Edizioni Periferia, Luzern
KuratorIn: Armbruster, Sascha; Paravicini, Gianni; Paravicini, Flurina
Dokumentationstyp: Dokumentation einer Performance/Aktion / Documentation of a performance/action
Alternative
Jpgs
Medium
Video 16:9
Dauer: 90:00