Revolving Histories (#bangbang-1201)
@ongoing_pieces
https://www.dchapuis-schmitz.com
@ongoing_pieces
(2017)
https://www.dchapuis-schmitz.com
Chapuis Schmitz, Delphine
dal Molin, Gioia (Eventcurator)
Afschar, Yasmin (Eventcurator)
Mirazchiev, Emil (Camera)
Afschar, Yasmin (Eventcurator)
Mirazchiev, Emil (Camera)
Tags
vwg:declare
2017
Fotos / Photos
Lecture performance
Feminism
voc_Social Media
Media transmission
Text
Exhibition space
voc_Virtueller Raum
Documentation of a performance
@ongoing_pieces is the address of Delphine Chapuis-Schmitz's Twitter account - present in the exhibition space
as pink neon lettering. For the duration of the exhibition, the artist will be posting text fragments on this account. Her point of reference is the well-known essay by feminist scientist Donna Haraway "Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective" (1988). In it, Haraway formulates the necessity of constantly questioning the position of the researchers as well as the context of the research questions raised. In her tweets, Delphine Chapuis-Schmitz makes reference to the text in terms of content and language, but at the same time also thematizes
the structure of Twitter as a symptomatic form of communication of our time. At the end of the exhibition
the output from these four weeks will be activated in a lecture performance and thus transferred from the virtuality of social
media into the real space of the office building.
as pink neon lettering. For the duration of the exhibition, the artist will be posting text fragments on this account. Her point of reference is the well-known essay by feminist scientist Donna Haraway "Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective" (1988). In it, Haraway formulates the necessity of constantly questioning the position of the researchers as well as the context of the research questions raised. In her tweets, Delphine Chapuis-Schmitz makes reference to the text in terms of content and language, but at the same time also thematizes
the structure of Twitter as a symptomatic form of communication of our time. At the end of the exhibition
the output from these four weeks will be activated in a lecture performance and thus transferred from the virtuality of social
media into the real space of the office building.
automatically translated from german
Additional
Saaltext der Ausstellung Performing Knowledge im Dienstgebäude, Zürich: http://www.dienstgebaeude.ch/82_pk_text.pdf
Eine weitere Ausführung dieser Arbeit hat im Rahmen der Ausstellung Digital Ecologies, Fold 1, kuratiert von Dimitrina Sevova zusammen mit Katharina Swoboda und Emil Mirazchiev, im Center for Contemporary Art ‘Ancient Bath’, Plovdiv, Bulgaria, 2018, stattgefunden: http://digital-ecologies.arttoday.org/2018/index.html
Performing Knowledge
place: Dienstgebäude, Zürich
KuratorIn: dal Molin, Gioia; Afschar, Yasmin
Dokumentationstyp: Dokumentation einer Performance/Aktion / Documentation of a performance/action
Alternative
Video
Medium
Fotos / Photos
Dauer: ca. 30:00