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Revolving Histories (#bangbang-0329)
The Blue Cube Videos
https://www.dawnnilo.com
The Blue Cube Videos
(2017)
https://www.dawnnilo.com
Nilo, Dawn
Toner, Cassidy (Performer)
Oehen, Céline (Performer)
Nilo, Dawn (Performer)
Vogt, Isadora (Performer)
Stenz, Jasminka (Performer)
Scherfig, Louis (Performer)
Buhler, Regula (Performer)
Blockey, Rowan (Performer)
Sjölin, Sara (Performer)
Schoch, Steven (Performer)
Toner, Cassidy (Camera)
Stenz, Jasminka (Camera)
Nilo, Johannes (Camera)
Scherfig, Louis (Camera)
Buhler, Regula (Camera)
Blockey, Rowan (Camera)
Sjölin, Sara (Camera)
Oehen, Céline (Performer)
Nilo, Dawn (Performer)
Vogt, Isadora (Performer)
Stenz, Jasminka (Performer)
Scherfig, Louis (Performer)
Buhler, Regula (Performer)
Blockey, Rowan (Performer)
Sjölin, Sara (Performer)
Schoch, Steven (Performer)
Toner, Cassidy (Camera)
Stenz, Jasminka (Camera)
Nilo, Johannes (Camera)
Scherfig, Louis (Camera)
Buhler, Regula (Camera)
Blockey, Rowan (Camera)
Sjölin, Sara (Camera)
Tags
2017
Video 4:3
Improvisation
Scenic performance
voc_Physical Theatre
Encounter
voc_absurd
Narration
voc_Setting/Installation
Two people wearing costumes designed to appear as though they should disappear into the background of a Prussian ‘blue screen’, attempt to approach one another without purpose or expectation. A third person follows this through the lens of the camera. They are performing for and with one another within a physical manifestation of The Blue Cube, a conceptual space that activates the realm of possibility 'in between' as a place of pure, raw and immediate presence. The inner freedom of one meets up with that of the others, so that the space must somehow be created together. The final result offers an edited version of reality, in which absurdity becomes a radical act of freedom in defiance of the idea of reality in the first place, or at least of the oppression of a fixed reality.
Additional
This is a 6 screen installation, but the videos can also be shown inividually.
Exhibited at: Xeniseum Museum for Education, Rythmno Greece (2019), “Unfrozen Education or How to relearn”, curated by Yota Tsotra and Dimitra Charamandas. / Swiss Performance Art Awards (2017), Gessneralle, Zurich, Switzerland
place: perfomred at the artist's atelier at the GGG Haus Ateliers in Basel
Dokumentationstyp: Performance/Aktion für die Kamera / Performance/Action for the Camera
Medium
Video 4:3
Dauer: 3:00 min. each