Revolving Histories (#bangbang-0101)
Teatro Alessandro Scarlatti
https://www.frohussicht.ch
Teatro Alessandro Scarlatti
(2011)
https://www.frohussicht.ch
Bronstein, Pablo
Grüebler, Noelle (Violine)
Ciglenecki, Ziva (Violine)
Kreienbühl, Janas (Cello)
Bärtschi, Sabine (Cello)
Häusermann, Patrizia (Mezzosopran)
Munder, Heike (Eventcurator)
Stauss, Niklaus (Camera)
Ciglenecki, Ziva (Violine)
Kreienbühl, Janas (Cello)
Bärtschi, Sabine (Cello)
Häusermann, Patrizia (Mezzosopran)
Munder, Heike (Eventcurator)
Stauss, Niklaus (Camera)
Tags
vwg:declare
2011
Fotos / Photos
Music performance
History
voc_absurd
Ensemble
voc_Setting/Installation
Documentation of a performance
The pavilion, serves as a performance venue for the aria Qui del Sol gl'infausti lampi from the opera Agar et Ismaele
Esiliati (1684) by the Italian composer Alessandro Scarlatti (1660-1725).
With space for just a few spectators, Pablo Bronstein's pavilion emphasizes the exclusivity and
"absurdity" of Baroque garden design and shows in a very unique way how far "decadence" - and therefore
architecture - always contains moments of exclusion: Standing on the balcony of the pavilion
standing on the balcony of the pavilion, the viewer can look out over the landscape and feel like the "ruler" of it.
Esiliati (1684) by the Italian composer Alessandro Scarlatti (1660-1725).
With space for just a few spectators, Pablo Bronstein's pavilion emphasizes the exclusivity and
"absurdity" of Baroque garden design and shows in a very unique way how far "decadence" - and therefore
architecture - always contains moments of exclusion: Standing on the balcony of the pavilion
standing on the balcony of the pavilion, the viewer can look out over the landscape and feel like the "ruler" of it.
automatically translated from german
The garden of forking paths
place: Froh Ussicht, Samstagern
KuratorIn: Munder, Heike
Dokumentationstyp: Dokumentation einer Performance/Aktion / Documentation of a performance/action
Medium
Fotos / Photos
Dauer: jeweils ca 8 min