| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Animation_Zugfahrt |
1973 |
Rumo, Jean-Pierre et al.
|
Film + Design
|
|
|
H2O_Tropfen |
1970 |
Jost, Pierre et al.
|
Film + Design
|
|
|
H2O_Wasserglas |
1970 |
Jost, Pierre et al.
|
Film + Design
|
|
|
How do Glaciers disappear? |
2025-04-26 |
Wige, Ed; Langrand, Pierre
|
ACT Performance Festival
|
|
|
Red Hearts |
2025-05-17 |
Langrand, Pierre et al.
|
ACT Performance Festival
|
|
|
Red Hearts |
2025-04-26 |
Wang, Juli (Xuequing) et al.
|
ACT Performance Festival
|
|
|
I would make my shuttles fly |
2025-05-17 |
Gaça Courtin, Bérénice et al.
|
ACT Performance Festival
|
|
|
Sound Sculptures |
2025-05-18 |
Wang, Juli (Xueqing) et al.
|
ACT Performance Festival
|
|
Traité de la musette [Frontispiz], 1672 |
1672 |
Borjon de Scellery, Pierre et al.
|
GrandeEcurie
|
|
|
Traité de la musette, avec une nouvelle methode, Pour apprendre de soy-mesme à joüer de cet Instrument facilement, & en peu de temps |
1672 |
Borjon de Scellery (1633-1691), Pierre et al.
|
HSM-Datenbanken
|
|
|
Le nouveau parfait maréchal |
1741 |
Garsault (1693 - 1778), François-Alexandre-Pierre
|
HSM-Datenbanken
|
|
Sacre de Louis XV, "Le Festin Royal", 1722 |
1722 |
Dupuis, Nicolas-Gabriel et al.
|
GrandeEcurie
|
|
|
La vihuela du musée Jacquemart-André: Restauration d'un document unique |
1980 |
Abondance, Pierre
|
HSM-Datenbanken
|
|
Cromorne, 1761 |
1761 |
Garsault, François Alexandre Pierre de
|
GrandeEcurie
|
|
|
Traité des instruments |
1640 (ca.) |
Trichet, Pierre
|
HSM-Datenbanken
|
|
Trompette Marine, 1761 |
1761 |
Garsault, François Alexandre Pierre de
|
GrandeEcurie
|
|
Vue du château de versailles prise de la place d'armes, 1722 |
1722 |
Martin, Pierre-Denis
|
GrandeEcurie
|
|
|
Les facteurs d'instruments de musique |
1893 |
Pierre, Constant
|
HSM-Datenbanken
|
|
|
La Vihuela du Musée Jacquemart-André. Restauration d'un document de musique |
1981 |
Abondance, Pierre
|
HSM-Datenbanken
|
|
|
40 Minuten Stehen |
2001 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
Studie in Solitude |
1979 |
Nemeth, Eileen et al.
|
Revolving Histories
Outdoor Performance Projekt
|
|
Mini-Minies Season 1 |
2013 |
Katsidis, Anastasia et al.
|
Revolving Histories
|
|
|
Trying to disappear |
2018 |
Buckel, Milena et al.
|
Revolving Histories
Les Quarts d'Heure
|
|
|
The Field Selfinterview in Umbigo Magazine. |
2021, 2022 |
[The Field] et al.
|
Revolving Histories
|
|
Post-Show Talk |
2019 |
[The Field] et al.
|
Revolving Histories
|
|
Question Kiosk |
2021 |
[The Field] et al.
|
Revolving Histories
|
|
|
BUMPER TO BUMPER — LEBENSSINNILLUSIONSSHOW |
1979-1981 |
Vogel, Yvonne et al.
|
Revolving Histories
61 Performances an Festivals, in Theatern und Off- und Off-Off-Bühnen
|
|
|
BUMPER TO BUMPER — MOLLOK VIRUS |
1981 |
Ferro, Knopp et al.
|
Revolving Histories
79 Performance ab Juni 1981 bis Oktober 1981 in unterschiedlichen Städten in der Schweiz, Deutschland und Spanien
|
|
|
BUMPER TO BUMPER — LEBENSSINNILLUSIONSSHOW |
1980/81 |
Ferro, Knopp et al.
|
Revolving Histories
61 Performances zwischen Februar bis November 1980 in unterschiedlichen Städten in der Schweiz und Deutschland, Oesterreich und Niederlande
|
|
|
Theaterbande BUMPER TO BUMPER — MOLLOK VIRUS |
1982 |
Ferro, Knopp et al.
|
Revolving Histories
Probe im Atelier in der Roten Fabrik Zürich
|
|
BUMPER TO BUMPER — Expedition bekoffert |
1982 |
Ferro, Knopp et al.
|
Revolving Histories
Kunstausflug an die Dokumenta Kassel / Ausstellung in der Roten Fabrik Zürich
|
|
|
WERKTAGS 19.00 — Experimentierzyklus |
1989—1991 |
Ferro, Knopp et al.
|
Revolving Histories
Hauseigenes Atelier in der Roten Fabrik Zürich
|