| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Der Spiegel in der Porträtmalerei. Medium und Metapher |
2018 |
Véron, Marie-Thérèse Ginette
|
Diplom HGK
|
|
|
lac |
2020 |
Läuger, Marie Sophie Theres
|
Diplom HGK
|
|
|
Flowing Nature. On Translating the Visual Qualities of the Rhine River |
2021 |
Marie, Simone
|
Diplom HGK
|
|
|
PLIC PLOC. BA-Projekt Kunst |
2019 |
Rondez, Julien Jean-Marie
|
Diplom HGK
|
|
|
Lämmer + Geburtstage |
2021 |
Do Linh, Marie
|
Diplom HGK
|
|
|
I ay eye aille 愛 – sticky eyelashes behind lavender sunglasses { it’s all real + add shiny filter } |
2022 |
Masset, Claire Megumi
|
Diplom HGK
|
|
|
nuf.montagna* der berg.raum am hif. *rätoromanisch knoten.berg |
2017 |
Demuth, Natalie Claire
|
Diplom HGK
|
|
|
Supercycle. The Transitional Nowness |
2018 |
Matusz, Marie
|
Diplom HGK
|
|
|
Die schwarze Spinne. Ein Schauspiel von Tilmann Köhler nach der Novelle von Jeremias Gotthelf |
2018 |
Hartmann, Lisa Marie
|
Diplom HGK
|
|
autour de la table |
2013 |
guerrier, claire
|
Summe2017
|
|
|
Ein Gespräch |
2011-04-20 |
Carlehed, Linn Marie et al.
|
ACT Performance Festival
|
|
|
Skype |
2011-04-20 |
Bortolini, Jeanne Marie
|
ACT Performance Festival
|
|
|
Firilou |
2007-05-06 |
Ruffieux, Marie-Luce
|
ACT Performance Festival
|
|
|
Act I (to repeated) |
2009-04-08 |
Lange, Marie-Luise
|
ACT Performance Festival
|
|
|
Videodokumentation |
2018-08-20 09:18:42 |
Nitchaeff, Anna et al.
|
ACT Performance Festival
|
|
BANG BANG: Soziale Eleganz - Come and Show Dokumentation |
2022 |
Huber, Judith et al.
|
Revolving Histories
BANG BANG: Soziale Eleganz
|
|
Motet Cycles |
2018 |
Pavanello, Agnese et al.
|
Motet Cycles
|
|
|
Pirol |
2017-05-26 |
Reber, Marie-Cécile et al.
|
migma
|
|
|
Wünsche |
2012 |
Guerrier, Claire
|
Videocity_memoriav
|
|
Design through human body research – Creative cut |
2019 |
Klock, Marie
|
Institut Mode-Design Web
|
|
|
OMBRE |
1982 |
Bayssas, Marie Christine et al.
|
Film + Design
|
|
|
OMBRE |
1984 |
Bayssas, Marie-Christine et al.
|
Film + Design
|
|
|
IM BLUTSTROM Strategien zu szenografischer Demaskierung anthropozäner Gestaltung am Kraftwerk Birsfelden |
2026-05-13 |
Larboulette, Marie-Claire et al.
|
In3
|
|
|
Perform Perform |
2018 |
d'Avigneau, Léa Marie et al.
|
Archive des Ephemeren
|
|
|
Points d'impact (Piano Nobile) |
2018 |
Knoerle, Marie-Eve
|
Archive des Ephemeren
|
|
|
.perf / association Association What About Performance Art ? |
2018 |
Amsler, Madeleine et al.
|
Archive des Ephemeren
|
|
|
Saynètes |
2020-04-27 |
Lucas, Marie
|
ACT Performance Festival
|
|
|
Ein Gespräch |
2011-04-20 |
Carlehed, Linn Marie et al.
|
ACT Performance Festival
|
|
|
Firilou |
2007-05-06 |
Ruffieux, Marie-Luce
|
ACT Performance Festival
|
|
|
Hé Oh (obturation) |
2020-05-24, 20:00 |
Frachebourg, Claire
|
ACT Performance Festival
|
|
|
überwachung! |
2016-05-31 |
Roumen, Marie-Antoinette
|
ACT Performance Festival
|
|
|
2007-06-02 |
Ruffieux, Marie-Luce; Roby
|
ACT Performance Festival
|
|
|
|
Act I (to repeated) |
2009-04-08 |
Lange, Marie-Luise
|
ACT Performance Festival
|
|
|
Skype |
2011-04-20 |
Bortolini, Jeanne Marie
|
ACT Performance Festival
|
|
|
Videodokumentation |
2012 |
Nitchaeff, Anna et al.
|
ACT Performance Festival
|
|
Palm Reading of Tumaroh |
2019, 2020, 2021 |
Langschied, Till et al.
|
Revolving Histories
|