| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Changing Eras |
2019 |
Wirz, Lucas
|
Diplom HGK
|
|
|
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 |
Lucas, Frances
|
Diplom HGK
|
|
FACE |
2005 |
Gross, Lucas
|
HyperWerk
|
|
|
Saynètes |
2020-04-27 |
Lucas, Marie
|
ACT Performance Festival
|
|
|
Katalog der Gemälde, Schweizerisches Landesmuseum Zürich |
1996 |
Wüthrich, Lucas et al.
|
HSM-Datenbanken
|
|
|
longlong night |
2000 |
Wili, Anmari Mëtsa Yabi et al.
|
Revolving Histories
ArtZappening Basel/ Bürgerfest zum Saisonschluss Theater Basel
|
|
Marara Kelly Art Show: the most performative gesture I can make is to believe |
2021 |
Yamada, Mayara et al.
|
Revolving Histories
Les Urbaines
|
|
2008-05-02 |
Wirz, Pedro
|
ACT Performance Festival
|
|
|
Poster Basel |
2008-05-02 |
Berger, Eva et al.
|
ACT Performance Festival
|
|
2008-05-02 |
Wirz, Pedro
|
ACT Performance Festival
|
|
|
|
Einrichtung und Disciplin eines Eidgnößischen Regiments zu Fuß und zu Pferd: Zweyter Theil |
1759 |
Wirz, Johann
|
HSM-Datenbanken
|
|
|
Einrichtung und Disciplin eines Eidgnößischen Regiments zu Fuß und zu Pferd: Erster Theil |
1758 |
Wirz, Johann
|
HSM-Datenbanken
|
|
Scalable Skeletal Escalator (open rehearsal) |
2020 |
Lewis, Isabel [The Field] et al.
|
Revolving Histories
Zurich Art Weekend
|