| titel | year | author | event |
|---|---|---|---|
AION. Nimm dir deine Zeit zurück |
2022 | ||
Anfangsstücke und kunstvermittlerische Dialoge vom Anfang bis zum und dann |
2022 | ||
Zwischen Menschlich und Pflanzlich |
2020 | ||
Mental sanctuary: Analysis on visual parameters |
2021 | ||
Kein Titel |
2015 | ||
Erinnerungshöhlen |
2020 | ||
Chair de peau | SKIN QUIVER |
2015 |
Kim, TK
|
|
Revisit Reuse |
2024 | ||
Body and Freedom Festival |
2015 |
Zollinger, Thomas
|
Body and Freedom Festival
|
Chair de peau / Living on the Edge (S.T.E.P. 1) |
2014 |
Ghisalberti, Flavia; [TK KIM]; Alioth, P.
|
|
Chair de peau / Into te Void (S.T.E.P. 2) |
2014 |
[TK KIM]; Alioth, P.
|
|
Chair de peau / So fall life (S.T.E.P. 3) |
2014 |
[TK KIM]; Alioth, P.
|
|
Eidolon |
2014 |
[TK KIM]; Alioth, P.
|
|
deflagration |
2015 |
[TK KIM]; Alioth, P.
|
|
battlefield#70 |
2010 |
Leuba, Jérôme
|
Living sculpture, 2010 in «Sicht auf das Original» at Museum für Gegenwarstkunst, Basel Swiss Performance Award nominated.
|
Customindi |
2019 | ||
zwischen-menschlich-und-pflanzlich |
2020 | ||
Alogo |
2019 | ||
Another Bookform. Distance, Location and Time |
2017 | ||
Unterwegs | Dynamische Verbindungen |
2013 | ||
Wer bin ich? |
2017 | ||
The Real Lifestyle Magazine. The Stories about Two People, Ana Brankovic and Yves Meier |
2017 | ||
Swimming Note |
2017 | ||
Zohar |
2016 | ||
Archiving Friendship - Transversal Design Vol. 2 |
2026 | ||
Bergwerdung |
2025 | ||
Re:Public Domain 19/20 |
2020 |
Purkathofer, Mario; Boos, Daniel; Cho, Linska
|
Digitaler Winterkongress 2020
|
Les Fontaines. The Making of |
2007 |
Erb, Klodin [mit]; Hagmann, Sabine [mit]; Michell, Regula [mit]; Rérat, Gabriele [mit]; Rutishauser, Eliane [mit]; Schreiber, Karoline [mit]; Wandeler, Meret [mit]; Zobrist, Agatha [mit]; Züllig, Hanna [mit]
|
2007 International Incheon Women Artist?s Biennale IWAB, Incheon/Korea
|