| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Seeing Sound. Wie sieht Musik aus oder wie klingt ein Bild? |
2020 |
Graber, Gil
|
Diplom HGK
|
|
|
(1) he is training smiling when he is alone in the train, forcing his muscles not to stop. he has got more than 50 face muscles, like us. by long distance train, he arrives at destination with a terrible trmbling face. he pretends to do it for the future, he doesn't care about real smiles. (2) Le plaisir est au bout! |
2017 |
Pellaton, Gil
|
Diplom HGK
|
|
Feel the Beat |
2024-04-27 |
Jeanneret, Gil
|
ACT Performance Festival
|
|
|
Visuelle Auseinandersetzung mit Sampling in der Hip-Hop-Musik |
2019 |
Graber, Yves
|
Diplom HGK
|
|
|
defining identity |
2020 |
Graber, Samantha
|
Diplom HGK
|
|
Stretching my guts out |
2019 |
Graber, Samantha
|
Institut Mode-Design Web
|
|
Fame e Fuoco |
2017 |
Frei, Lilian et al.
|
Revolving Histories
www.living-room-stadionbrache.ch zürich 2017
|
|
battlefield#130 |
2018 |
Leuba, Jérôme et al.
|
Revolving Histories
Ausstellung "New Swiss Performance Now"
|
|
|
Rhythm is a dancer |
2024 |
Werner, Christina et al.
|
Revolving Histories
Bauhausfest Dessau (2023) + Ausstellungseröffnung (2024)
|
|
Ab Boden |
2015 |
Lerjen, Marie-Anne et al.
|
Revolving Histories
Living Room
|