| titel | year | author | event |
|---|---|---|---|
demain, un sentier |
2019 | ||
Da steht ein Mensch vor mir (Glittering) Are you crying or am I crying |
2022 | ||
Historia of Gloria |
2020 | ||
Zeitraum |
2018 | ||
another space of time |
2021 | ||
Have you seen my snake? + Epic Fail |
2021 | ||
so sad so sexy |
2021 | ||
Centerfold |
2022 | ||
Hypomochlion (grasp) / Hypomochlion (interstice) |
2020 | ||
Talk to the Hand (cause the Face won’t Listen) |
2020 | ||
Transportkisten |
2018 | ||
Handlungsspielraum |
2020 | ||
Rituals |
2021 | ||
Falling through the cracks |
2021 | ||
FOREVER OR NEVER |
2018 | ||
Tourists; Apocalypse |
2019 | ||
Surplus Values |
2019 | ||
Maze + Wind II |
2021 | ||
It belonged to time now, to history; was past the touch and control of the living |
2022 | ||
we used to be straight |
2022 | ||
Plats de Résistance |
2018 | ||
VERSIONS |
2018 | ||
Der nie zu fixierende Zustand des Dazwischen |
2018 | ||
naughty lil Thomas |
2022 | ||
It’s not easy, but it’s simple |
2018 | ||
We’re not even leaving the ground |
2020 | ||
Recipes of displacement to the architecture of no language |
2020 | ||
Der blaue Hummer |
2020 | ||
First-come, First-served |
2021 | ||
www.mäschi.com |
2021 | ||
Destroyed lives of Ukrainians |
2022 | ||
causal fow |
2019 | ||
Frame for One |
2021 | ||
Elevations |
2018 | ||
Born to serve |
2019 | ||
poscaenium |
2021 |