| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Besame Mucho |
2015-04-11 |
Stalder, Aline et al.
|
ACT Performance Festival
|
|
|
Drehung |
2015-04-11 |
Unternährer, Beat
|
ACT Performance Festival
|
|
|
Moderation |
2015-04-10 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Publikum/Event |
2015-04-10 |
ACT Performance Festival
|
|
|
|
Language Is Skin. I Rub My Language Against The Other. |
2015-04-10 |
Rüegger, Romy
|
ACT Performance Festival
|
|
|
Es ist zu Ende |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
apresperf.ch – Moving Performance To Text |
2015-04-10 |
Schürch, Dorothea et al.
|
ACT Performance Festival
|
|
|
Ein Herz für Kriens |
2007 |
Hansemann, Svetlana et al.
|
Revolving Histories
Projekt «Aufwertung Ortseingang Kriens», Gruppe «Ortsgestaltung+Verkehr» des Vereins «Lust auf Kriens»
|
|
|
Lemusa 06 Sud-Goulousin |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
Organisation du projet - Colloque |
GrandeEcurie
|
||
|
|
Ina Lohr – Seele der Schola Cantorum Basiliensis |
2016 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) |
2015 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Reconstructing the “fifres” of the Grande Écurie |
2009 |
Berney, Boaz
|
OpenAccessPublikationen
|
|
|
Artist contribution: Enforcing human rights through legal means. |
2024-03 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
Early bowed instruments around 1500, Part I (Italy) |
2013 |
Weiner, Howard
|
Frühe Streichinstrumente um 1500
|
|
|
Performing Negotiations: Protocol |
2019-2020 |
Nilo, Dawn
|
Revolving Histories
|
|
On the edge of: Goldrausch 2023 |
2023 |
Dornieden, Anja et al.
|
e-Publications
|
|
|
Masquerade beyond Boundaries - The Art of Protesters and Outsiders |
2017 |
Barut, Özge et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Masquerade beyond Boundaries - The Art of Protesters and Outsiders |
2017 |
Barut, Özge et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Headbang |
Murawski, Patricia
|
ACT Performance Festival
|
|
|
|
Masterplan |
2017 |
ACT Performance Festival
|
|
|
|
Das Thema Pause im Kontext von Wicked Problems und Design Thinking |
2013 |
Notter, Valerie
|
Institut Integrative Gestaltung / Masterstudio
|
|
Presse ACT 2022 |
2022 |
ACT Performance Festival
|
|
|
|
Gross Geigen und Rybeben Nordalpine Viola da gamba-Ensembles im frühen 16. Jahrhundert |
2015 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Französische Satzmodelle des Grand Siècle |
2020 |
Menke, Johannes
|
OpenAccessPublikationen
|
|
|
Hubert Cuypers: A Self-Assertive Musician |
2016 |
van Langen, Petra
|
OpenAccessPublikationen
|
|
|
Sun-Catchers, Sensors, Shape-Shifters: Reclaiming the Intelligence of Plants |
2025 |
Volkart, Yvonne et al.
|
Plant_Intelligence
|
|
|
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 |
Duculescu, Mirela
|
Memory Full
|
|
Out of the Absurdity of Life |
2013-01-15 |
Burkhalter, Thomas
|
DigitalBrainstorming
|
|
|
Manifestation of Performance |
03.11.2018 |
Gusberti, Daria
|
Archive des Ephemeren
|
|
|
video conflictum |
2010 |
Tedeschi, Janos
|
HyperWerk
|
|
|
Verspielt |
2006 |
Suter, Florian
|
HyperWerk
|
|
|
Introduction - Everywhere and nowhere: Convening the 2021 DHS Annual Conference online |
2021 |
Ernst, Meret; Gaspar, Monica
|
Memory Full
|
|
|
Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 |
Parisi, Noemi
|
Diplom HGK
|
|
|
The Myth Of AI |
Probylova, Alisa et al.
|
Next Generation
|
|
|
|
Have I ever spoken properly? |
2021 |
Narisawa, Kihako et al.
|
Institut Integrative Gestaltung / Masterstudio
|