| titel | year | author | event |
|---|---|---|---|
The Last Picture 1950 – 2016 (2019) |
2019 | ||
How to get in touch |
2019 | ||
NO FUN |
2019 | ||
Zenso |
2019 | ||
Transit-Orte bei Nacht |
2019 | ||
Murmuration. BA-Projekt Kunst |
2019 | ||
Modu |
2019 | ||
Seeing Klybeck. Visualizing an urban community |
2019 | ||
Zakynthos; Ritom; Otranto; St. Saphorin; Oberwil |
2019 | ||
Study from Böcklin |
2019 | ||
31.10.136.190. Wo bin ich, wenn ich im Internet verloren gehe? |
2021 | ||
cheval, chien, coq |
2021 | ||
Das Selbstporträt im Kontext der Partizipation |
2022 | ||
Tunnel; Spiral 1–5 |
2022 | ||
100 Arten dem Regen zu begegnen |
2022 | ||
Immunization of the Mind |
2022 | ||
On our way towards |
2022 | ||
Souvenir - se souvenir |
2022 | ||
Niederschreibungen. Kugelschreiber, Bleistift, Fineliner |
2018 | ||
Miss Moss |
2018 | ||
Splaces. Neuverorten einer realen Virtualität im urbanen Lebensraum |
2018 | ||
The Affordances of Scripting Typography |
2018 | ||
cascina [ka∫'∫ina]. A trip above abandonment |
2019 | ||
Spuren. BA-Projekt Kunst |
2019 | ||
Changing Eras |
2019 | ||
Outside the Frame. Framing strategies in the climate change movement |
2019 | ||
HOMECOMING |
2019 | ||
Ein erweiterter Blick auf unsere Welt |
2019 | ||
MIAMI; Spinne |
2019 | ||
How to Dissolve. a Collective Experiment |
2019 | ||
The Visual Lateral Directionality of Images. With a focus on the aspects: language-reading direction and handedness |
2019 | ||
FaceGrinder |
2019 | ||
Die Sitzbank – ein Spaziergang im urbanen Raum |
2020 | ||
Attitudes Toward Guns – A Transdisciplinary Work of Design |
2020 | ||
MALSTOFF. Eine wachsende Sammlung individueller Interpretationen flüchtiger Farbherstellung |
2021 | ||
No Tomorrow Without Today. When dreams become reality |
2021 |