| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
apresperf.ch – Moving Performance To Text |
2015-04-10 |
Schürch, Dorothea et al.
|
ACT Performance Festival
|
|
|
Organisation du projet - Colloque |
GrandeEcurie
|
||
|
|
Lemusa 06 Sud-Goulousin |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
elsewhere |
1996 |
Grau, Pascale et al.
|
Revolving Histories
VIDEOTANZ Berner Tanztage, Dampfzentrale Bern und Videotage der Region Basel, Kaserne Basel 1996
|
|
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
Long Lake Festival, Lugano
|
|
|
Rybeben am Hof Maximilians I. |
2015 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 |
OpenAccessPublikationen
|
|
|
|
Re-engaging with Design History through the Practical Turn |
2021 |
Eggink, Wouter et al.
|
Memory Full
|
|
|
The other of us - At what point does AI become Human? |
2018 |
Simeonidou, Despina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
La guitare en France vers 1800 Textes du projet de recherche |
2014 |
Valois, Pascal
|
OpenAccessPublikationen
|
|
|
Ein Herz für Kriens |
2007 |
Hansemann, Svetlana et al.
|
Revolving Histories
Projekt «Aufwertung Ortseingang Kriens», Gruppe «Ortsgestaltung+Verkehr» des Vereins «Lust auf Kriens»
|
|
|
Ina Lohr – Seele der Schola Cantorum Basiliensis |
2016 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) |
2015 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Reconstructing the “fifres” of the Grande Écurie |
2009 |
Berney, Boaz
|
OpenAccessPublikationen
|
|
|
Early bowed instruments around 1500, Part I (Italy) |
2013 |
Weiner, Howard
|
Frühe Streichinstrumente um 1500
|
|
|
Headbang |
Murawski, Patricia
|
ACT Performance Festival
|
|
|
|
Masterplan |
2017 |
ACT Performance Festival
|
|
|
|
Artist contribution: Enforcing human rights through legal means. |
2024-03 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
Performing Negotiations: Protocol |
2019-2020 |
Nilo, Dawn
|
Revolving Histories
|
|
|
Masquerade beyond Boundaries - The Art of Protesters and Outsiders |
2017 |
Barut, Özge et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Masquerade beyond Boundaries - The Art of Protesters and Outsiders |
2017 |
Barut, Özge et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 |
Choi, Hansol
|
Diplom HGK
|
|
|
Das Thema Pause im Kontext von Wicked Problems und Design Thinking |
2013 |
Notter, Valerie
|
Institut Integrative Gestaltung / Masterstudio
|
|
On the edge of: Goldrausch 2023 |
2023 |
Dornieden, Anja et al.
|
e-Publications
|
|
Presse ACT 2022 |
2022 |
ACT Performance Festival
|
|
|
|
Verspielt |
2006 |
Suter, Florian
|
HyperWerk
|
|
|
Introduction - Everywhere and nowhere: Convening the 2021 DHS Annual Conference online |
2021 |
Ernst, Meret; Gaspar, Monica
|
Memory Full
|
|
|
Gross Geigen und Rybeben Nordalpine Viola da gamba-Ensembles im frühen 16. Jahrhundert |
2015 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Französische Satzmodelle des Grand Siècle |
2020 |
Menke, Johannes
|
OpenAccessPublikationen
|
|
|
Hubert Cuypers: A Self-Assertive Musician |
2016 |
van Langen, Petra
|
OpenAccessPublikationen
|
|
|
Sun-Catchers, Sensors, Shape-Shifters: Reclaiming the Intelligence of Plants |
2025 |
Volkart, Yvonne et al.
|
Plant_Intelligence
|
|
|
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 |
Duculescu, Mirela
|
Memory Full
|
|
Unter Pflanzen - Exhibition |
2025 |
Meyer, Kathrin et al.
|
Plant_Intelligence
|
|
|
3 DOCTORS: IDENTIFYING YOUR DNA |
2017 |
Kumar, Awneet et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Unkonventionelles Material als Werkstoff im Kommunikations- und Gestaltungsprozess |
2018 |
Ingold, Ladina et al.
|
Institut Integrative Gestaltung / Masterstudio
|