| titel | year | author | event |
|---|---|---|---|
Betriebsstörung |
1986 |
|
|
Zwielicht |
1984 |
Fuhrer, Eva; Bissegger, Brigitte
|
|
40 Minuten Stehen |
2001 |
|
|
Alpsegeln |
2003 |
Frank, Gisa
|
Wanderperformance vom Säntis bis zum Bodensee mit mehreren Stationen
|
International Art Store |
2017 |
[künstlerinnenkollektiv marsie]
|
Guyu Action, International Performance Art Festival
|
Algorithms of Partiality |
2017 |
Parkonnen, Hedda; Weissenfels, Anna; Streit, Eva; Stein, Milena; Utz, Pascal
|
|
Estetika Walk |
2016 |
[Roma Jam Session art Kollektiv]
|
Book Launch "The Air Will Not Den You - Zürich im Zeichen einer anderen Globalität"
|
Tirage (La Joconde) |
2011 |
Zürrer, Anna-Sabina
|
|
Kaufrausch |
2007 |
Fiedler, Heike; Niederberger, Sadhyo
|
|
FORÊT D'O |
2018 |
Bösch, Maya; Schürch, Dorothea
|
Up Festival
|
Auftritt für zwei Schlagzeuge |
1996 |
Hiepler, Esther
|
|
SPEAK UP |
2016 |
Wildberger, Martina-Sofie
|
|
Andauernd |
1989 |
Hurley, Eva
|
STOP.P.T
|
Gespräch mit der Erde |
1983 |
Hurley, Eva
|
|
Who is in the Classroom? |
2022 | ||
Teaching to Transgress Toolbox |
|||
Library Making as Practice |
2025 | ||
Library, A Network of Relations |
|||
Towards a decolonial feminist politics of reuse |
2024 | ||
Teaching the Radical Catalogue – a Syllabus |
|||
I only work with lost and found: [Goldrausch 2024] |
2024 | ||
Confronting authorship, constructing practices – how copyright destroys collective practice |
2019 | ||
Committing to decolonial feminist practices of reuse |
2024 | ||
Teaching the Radical Catalogue – a Syllabus |
2024 | ||
Reading the Library. Eine Ausstellung zu feministischen und de-kolonialen Ansätzen der Wissensordnung |
2021 | ||
More verb, less noun – Publishing as collective practice |
2019 | ||
Paper Struggles |
|||
Publishing strategies: From “independent” to “intersectional” |
2023 | ||
Rewriting FAIRness |
2024 | ||
The Power to Name and Frame |
2025 | ||
Noun to verb: Propositions for transformative intersectional publishing |
2024 | ||
Library Underground – A reading list for a coming community |
2016 | ||
Help! David Cameron likes my art |
2018 | ||
Ecologies of Dissemination: decolonial knowledge practice, feminist methodology and Open Access |
|||
An intersectional feminist approach to publishing. It’s not only about what I share, but how I share it |
2024-11 | ||
Der Katalog als Erzählung. Über die «Library of Inclusions and Omissions» |
2021 |