| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Intimität |
2019 |
Obrist, Rahel
|
Diplom HGK
|
|
|
FALL-BLATT |
2019 |
Käser, Florian
|
Diplom HGK
|
|
|
space images |
2019 |
Burkard, Ronja
|
Diplom HGK
|
|
|
Drawing Limmatplatz, for Instance. An Exploration into Epistemic Processes in Drawing |
2020 |
Sitter, Anja
|
Diplom HGK
|
|
|
Un peu juste. Balade visuelle et interrogative à travers la variété des pratiques quotidiennes |
2018 |
Scrima, Zoé
|
Diplom HGK
|
|
|
Eine andere Natur |
2018 |
Schiltknecht, Sarah
|
Diplom HGK
|
|
|
Corporate Structures Revealed. Diagrammatic Perspectives into the History of Novartis |
2018 |
Ritschard, Aaron
|
Diplom HGK
|
|
|
Found Footage |
2019 |
Poffet, Laurent
|
Diplom HGK
|
|
|
DressCode |
2022 |
Weber, Marco
|
Diplom HGK
|
|
|
Visualizing Utopia: Switzerland after the Labour Society |
2020 |
Nguyen, Hoang
|
Diplom HGK
|
|
|
Die Schande vom Espenmoos. Eine Installation zu St. Galler Emotionen des 20. Mai 2008 |
2020 |
Rietmann, Benjamin
|
Diplom HGK
|
|
|
Poltergeist, 1982. Ein Remake für das Filmplakat |
2020 |
Schindler, Lea
|
Diplom HGK
|
|
|
Das Abbild rundum |
2020 |
Pirlet, Adrian
|
Diplom HGK
|
|
|
Gare de Marseille-Saint-Charles |
2018 |
Kalkbrenner, Luise
|
Diplom HGK
|
|
|
wir. Tabuthemen in der Schweizer Gesellschaft |
2021 |
Strub, Lisa
|
Diplom HGK
|
|
|
the data you spend |
2021 |
Wassmer, Céline Yvonne
|
Diplom HGK
|
|
|
Gestaltung einer Schrift. für journalistische Onlinemedien |
2021 |
Miskolczy, Jonathan Pan
|
Diplom HGK
|
|
|
Wald |
2021 |
Müller, Lukas
|
Diplom HGK
|
|
|
One Two Tie My Shoe. Motion and Gesture in a Digital Environment |
2018 |
Malpeso, Sonia
|
Diplom HGK
|
|
|
Photo Reportages in Travel Magazines. Analysis of Photo Motifs |
2018 |
Waibel, Catherine Louise
|
Diplom HGK
|
|
|
Technically Nature |
2020 |
Zürcher, Nadine
|
Diplom HGK
|
|
|
Information Visualization to Help the Elderly Understand Smartphones |
2020 |
Ma, Yujia
|
Diplom HGK
|
|
|
How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction |
2020 |
Lee, Jingyu
|
Diplom HGK
|
|
|
Censored to Be Seen. Investigations into the Visual Manifestation of Censorship |
2020 |
Lakra, Zubin
|
Diplom HGK
|
|
|
Orientamento tra natura e storia |
2021 |
Beretta, Martino
|
Diplom HGK
|
|
|
A Designer’s Journey. The poster: A valid medium for transformative design? |
2021 |
Yaman, Ahmet Kerem
|
Diplom HGK
|
|
|
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 |
Choi, Hansol
|
Diplom HGK
|
|
|
TERMINUS. Virtueller Spaziergang durch ein postapokalyptisches Basel |
2022 |
Rick, Timo
|
Diplom HGK
|
|
|
Das ist neutral. Wie kann man die Neutralität darstellen? |
2018 |
Son, Ahyong
|
Diplom HGK
|
|
|
14’904 |
2019 |
Strub, Alisa
|
Diplom HGK
|
|
|
Looking into Fog. An investigation of fog as a design element |
2019 |
Müller, Stephanie
|
Diplom HGK
|
|
|
Raumperspektiven. Eine visuelle und verbale Auseinandersetzung mit dem Raum |
2021 |
Diemunsch, Patricia
|
Diplom HGK
|
|
|
Mani Matter im heutigen Kontext |
2022 |
Eggmann, Niklas
|
Diplom HGK
|
|
|
Schnittstelle Sprache/Schrift |
2022 |
Köfer, Soraya
|
Diplom HGK
|
|
|
Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. |
2022 |
Zafferani, Giulia
|
Diplom HGK
|
|
|
A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature |
2022 |
David, Erica
|
Diplom HGK
|