| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
24 Stunden Wassertragen |
2006 |
Zollinger, Thomas et al.
|
Revolving Histories
Nacht der 1000 Fragen
|
|
|
Wortkörper |
2005 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
Dasein im Wegsein (Anwesend/Abwesend) |
2011 |
Ritzmann, Marion et al.
|
Revolving Histories
Performancepreis Schweiz
|
|
Me as a sculpture |
2009 |
Ritzmann, Marion et al.
|
Revolving Histories
ERNTE 09
|
|
walks and transfers |
2017 |
Ritzmann, Marion et al.
|
Revolving Histories
Grosse Regionale, Kunst(Zeug)Haus, *ALTEFABRIK Rapperswil-Jona
|
|
Analog Chat No. I–III |
2012 |
Ritzmann, Marion et al.
|
Revolving Histories
Direct Action 2012, Month of Performance Art, Abteilung für alles Andere, Berlin (DE) / Aktion-Reaktion, Performance-Abend, Halle 6, Basel / Analog Chat No.3, Lokal-int, Biel
|
|
Eins bis .. |
2015 |
Ritzmann, Marion et al.
|
Revolving Histories
Performance Reihe Neu-Oerlikon
|
|
Cut-up |
2011 |
Ritzmann, Marion et al.
|
Revolving Histories
A.I.R.4-Artist in Residence
|
|
ACT v2.0 |
2020 |
ACT Basel et al.
|
Revolving Histories
ACT v2.0
|
|
ACT BASEL |
2017 |
ACT Basel et al.
|
Revolving Histories
ACT Basel
|
|
|
ACT BASEL |
2019 |
ACT Basel et al.
|
Revolving Histories
ACT Basel
|
|
|
ACT BASEL |
2021 |
ACT Basel et al.
|
Revolving Histories
ACT Basel
|
|
|
ACT BASEL |
2018 |
ACT Basel et al.
|
Revolving Histories
ACT Basel
|
|
|
Nairs in movimaint |
2017 |
Hausheer, Angela et al.
|
Revolving Histories
Nairs in movimaint
|
|
The Iannetta Ritzmann Show / The Ritzmann Iannetta Show |
2016 |
Iannettta, Silvana et al.
|
Revolving Histories
Manifesta 13
|
|
Versuch, sich an eine Performance zu erinnern |
2015 |
Iannettta, Silvana et al.
|
Revolving Histories
|
|
Der Schlaf der Vernunft gebiert Ungeheuer (Nachstellung des Gemäldes "die Nacht" von Ferdinand Hodler |
2007 |
Grau, Pascale et al.
|
Revolving Histories
|
|
|
Mapping Basel: Interview mit Marion Ritzmann |
21.01.2025 |
Ritzmann, Marion et al.
|
Revolving Histories
|
|
Flexible Erscheinungsbilder im Grafikdesign |
2013 |
Fuchs, Simone et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Fashion as Icon |
2010 |
Biedermann, Melanie et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Visuelle Kommentierung von Gerorges Perecs Das Leben Gebrauchsanweisung |
2011 |
Kleine, Christine et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Via Diagramma - Vom U-Bahn zum A-Bahn Diagramm |
2014 |
Hofmaier, Mike et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Fashion as Icon |
2010 |
Kiesel, Anja et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Hydra: [Goldrausch 2019] |
2019 |
Andersson, Marie-Louise et al.
|
e-Publications
|
|
|
HANDLE WITH CARE |
Fink, Marion et al.
|
Next Generation
|
|
|
|
Blut in Form, Wert und Wirkung |
Fink, Marion et al.
|
Next Generation
|
|
|
|
Dolly |
Fink, Marion et al.
|
Next Generation
|
|
|
|
GRENZEN |
Fink, Marion et al.
|
Next Generation
|
|
|
|
Die Auswirkungen von Stadttransformation auf alternative Kulturräume |
Goetschmann, Timon et al.
|
Next Generation
|
|
|
|
Intelligence Categorization Utility |
Schwartau, Lukas et al.
|
Next Generation
|
|
|
|
Spotting Danger |
Davis, Theodore et al.
|
Next Generation
|
|
|
|
Streams |
Thiel, Ariane et al.
|
Next Generation
|
|
|
|
Movement in Static |
Kramarenko, Mykyta et al.
|
Next Generation
|
|
|
|
MAS |
Schneider, Robin et al.
|
Next Generation
|
|
|
|
4056–4495 |
Fink, Marion et al.
|
Next Generation
|
|
|
|
Seilschaften |
Fink, Marion et al.
|
Next Generation
|