| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi / Thilo Hirsch |
2013 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
We Missed the Mark: The Impacts of Well-Intentioned, but Racist, Design |
2021 |
Moses, Terresa et al.
|
Memory Full
|
|
Beyond the Smile - Design of a campaign to raise awareness about depression |
2018 |
Schenner, Gabriela et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Oldies with goodies? New perspective of elder care in China and Switzerland |
2014 |
Chen, Yuyu
|
HyperWerk
|
|
|
"We are all failures-at least the best of us are." J. M. Barrie |
2019 |
Misson, Myriam
|
Diplom HGK
|
|
|
Gramatik der Räume |
2021 |
Schmalz, René et al.
|
Revolving Histories
|
|
|
The question of responsibility. A designer's approach to sustainable guitar making |
2021 |
Aeschbach, Gabriel
|
Diplom HGK
|
|
|
Stepping Out of the Frame. Repräsentation von Schwarzen Menschen im Film |
2021 |
Asumadu, Glenn
|
Diplom HGK
|
|
|
Audiophobic waste of space & time: An unexplained journey into the present |
2016-04-23 |
Guldimann, Manuel et al.
|
ACT Performance Festival
|
|
|
Artist Talk: The Future of the Body: Zombies, Avatars und Cyborgs |
2002 |
digitalbrainstorming
|
DigitalBrainstorming
|
|
|
Audiophobic waste of space & time: An unexplained journey into the present |
2016-04-23 |
Guldimann, Manuel et al.
|
ACT Performance Festival
|
|
|
Make/Sense Assembly 2025. Practice-based Forms of Reading and Writing |
2025 |
Wang, Jackie et al.
|
e-Publications
|
|
|
How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction |
2020 |
Lee, Jingyu
|
Diplom HGK
|
|
|
Official opening and keynote 2: Alexandra Midal, HEAD, University of Art and Design, Geneva |
Sept 2, 2021 |
Midal, Alexandra et al.
|
Memory Full
|
|
|
FRONTIERS OF UTOPIA |
1995 |
Scott, Jill et al.
|
Revolving Histories
Multimediale
|
|
|
Documentation of a few works: Prom, Böse Wicht And His Böse Monsters, Horror of Me, Twilight Splendor. |
2021 |
Wicht, Philippe
|
Revolving Histories
|
|
|
International Politics on Screens - A Critical Inquiry into Representations of Current Affairs Content in Moving Image Media |
2015 |
Giannone, Carola et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Strategies of Seed |
2018 |
Edens, Saskia et al.
|
Revolving Histories
residency Artic Action
|
|
|
Biofabricated futures: The ecopolitical potential of bio-design practices and its facilitation through interactive experiences. |
2024 |
Comotto, Belén
|
HyperWerk
|
|
|
Thinking without the Head: Yvonne Volkart in conversation with Michael Marder on the vegetal basis of the soul and symbiosis as the heart of all life on Earth |
2025 |
Marder, Michael et al.
|
Plant_Intelligence
|
|
|
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 |
Portal, Fernando
|
Memory Full
|
|
|
The characteristics of dogs. Fine Art Print auf Alu, je 60 x 90 cm |
2018 |
Messerli, Anja Paula
|
Diplom HGK
|
|
|
Pears will fall from the apple trees Performance Art Workshops and the Possibility of a Queer Earthly Asthetics |
2026 |
Lauritsen, Olga
|
HyperWerk
|
|
|
Wortkörper |
2005 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
SNF-Eintrag: Technologie - Mensch - Design: Paradigmen des Ubiquitous Computing |
ubicombs - Technology – Human – Design: Paradigms of Ubiquitous Computing
|
||
|
|
Sinnflut |
2011 |
Hausheer, Angela [Kollabor] et al.
|
Revolving Histories
|
|
|
4900 Historical Woodwind Instruments, an Inventory of 200 Makers in International Collections |
1993 |
Young, Phillip
|
HSM-Datenbanken
|
|
|
Problems of authenticity in sixteenth-century Italian viols and the Brussels collection |
2002 |
Moens, Karel
|
HSM-Datenbanken
|
|
|
Why does it make sense to speak of intelligence in nature? Yvonne Volkart in conversation with Jeremy Narby |
2025 |
Narby, Jeremy et al.
|
Plant_Intelligence
|
|
|
Periphery Data Documentation |
2023 |
Torpus, Jan et al.
|
ubicombs - Technology – Human – Design: Paradigms of Ubiquitous Computing
|
|
|
The Absence of Work |
2012 |
Bajo, Elena et al.
|
Revolving Histories
Liste 17 – Performance Project
|
|
Art of Seeking |
2019 |
Kulka, Irena et al.
|
Revolving Histories
coARTex Event
|
|
|
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 |
Duculescu, Mirela
|
Memory Full
|
|
Dokumentation zu "in utero (unbearable lightness_The Trivial Pursuit of Happiness)" von Barbara Naegelin |
2013 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
The New Langwill Index: A Dictionary of Musical Wind-Instrument Makers and Inventors |
1993 |
Waterhouse, William
|
HSM-Datenbanken
|
|
|
on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass |
2022 |
Schmidt, Benoît
|
Diplom HGK
|