Flowing Nature. On Translating the Visual Qualities of the Rhine River |
2021 |
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Invisible Borders. An outsider's perspective through a participatory approach |
2022 |
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Intimität |
2019 |
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FALL-BLATT |
2019 |
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space images |
2019 |
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Drawing Limmatplatz, for Instance. An Exploration into Epistemic Processes in Drawing |
2020 |
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Un peu juste. Balade visuelle et interrogative à travers la variété des pratiques quotidiennes |
2018 |
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Eine andere Natur |
2018 |
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Corporate Structures Revealed. Diagrammatic Perspectives into the History of Novartis |
2018 |
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Found Footage |
2019 |
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DressCode |
2022 |
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Visualizing Utopia: Switzerland after the Labour Society |
2020 |
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Die Schande vom Espenmoos. Eine Installation zu St. Galler Emotionen des 20. Mai 2008 |
2020 |
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Poltergeist, 1982. Ein Remake für das Filmplakat |
2020 |
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Das Abbild rundum |
2020 |
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Gare de Marseille-Saint-Charles |
2018 |
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wir. Tabuthemen in der Schweizer Gesellschaft |
2021 |
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the data you spend |
2021 |
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Gestaltung einer Schrift. für journalistische Onlinemedien |
2021 |
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Wald |
2021 |
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One Two Tie My Shoe. Motion and Gesture in a Digital Environment |
2018 |
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Photo Reportages in Travel Magazines. Analysis of Photo Motifs |
2018 |
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Technically Nature |
2020 |
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Information Visualization to Help the Elderly Understand Smartphones |
2020 |
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How to Visualize Emotional Expressions of Artificial Intelligence. Designing for an Affective Human-A.I. Interaction |
2020 |
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Censored to Be Seen. Investigations into the Visual Manifestation of Censorship |
2020 |
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Orientamento tra natura e storia |
2021 |
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A Designer’s Journey. The poster:
A valid medium for transformative design? |
2021 |
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Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 |
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TERMINUS. Virtueller Spaziergang durch ein postapokalyptisches Basel |
2022 |
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Das ist neutral. Wie kann man die Neutralität darstellen? |
2018 |
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14’904 |
2019 |
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Looking into Fog. An investigation of fog as a design element |
2019 |
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Raumperspektiven. Eine visuelle und verbale Auseinandersetzung mit dem Raum |
2021 |
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Mani Matter im heutigen Kontext |
2022 |
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Schnittstelle Sprache/Schrift |
2022 |
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