| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Sources secondaires |
Die Gitarre in Frankreich
|
||
|
Cameo |
2012 |
Kioutsoukis, Elie
|
HyperWerk
|
|
|
Interview mit Felix Stalder im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-09-28 |
Stalder, Felix et al.
|
Netzkulturen
|
|
Processing Psychedelics |
2023 |
D‘Amico, Julian
|
HyperWerk
|
|
|
Guide zum Liste 17 Performance-Project |
2012 |
Ratti, Christian et al.
|
Revolving Histories
Liste 17 – Performance Project
|
|
Building a Ganassi Viol |
Kraft, Judith
|
Frühe Streichinstrumente um 1500
|
|
|
Folder Masterthesis 16, 2017 |
2017 |
Masterstudio
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Generalbass-Compendium Eine Art Vokabular, für den Gehörbildungsunterricht zusammengestellt |
2018 |
Weber, Hans-Peter et al.
|
OpenAccessPublikationen
|
|
|
Lectures on Peripher_ies |
2020-11-09 |
Team peripher_ies
|
Peripher_ies
|
|
|
Pressedossier Videoparcours durch die Basler Innenstadt 2015 |
2015 |
Domesle, Andrea
|
Videocity_memoriav
|
|
Setting Collectively Conditions for Sharing, Reuse, Access |
2025 |
Weinmayr, Eva
|
e-Publications
|
|
On Becoming; amplified* |
2025 |
Böhler, Sarina
|
HyperWerk
|
|
|
Workshop Just Listen! Soundscape as a designable common good. |
2020-12-16 |
Team peripher_ies
|
Peripher_ies
|
|
Corporate Design 2018 |
2018 |
Dillier, Thomas
|
Videocity_memoriav
|
|
Barformance |
12. - 17. April 2010 |
Bucher, Claudia et al.
|
Revolving Histories
Stanser Musiktage
|
|
Sugardaddy |
1) 6. Juni 2004 _ 2) 19. März 2005 |
Hofer, Susanne et al.
|
Revolving Histories
1) Collective _ 2) KUNSTEXPANDER - Festival für Grenzüberschreitungen
|
|
|
CHEZ LIZ |
2017 |
Hilti, Anna [Salon Liz] et al.
|
Revolving Histories
|
|
FahrAwaY - Ballett |
2021 |
Wey, Nina et al.
|
Revolving Histories
|
|
|
"About Time" and "CONFETTI - Until it pops": Artist talk with Mercedes Borgunska and Mélanie Gobet in conversation with Valerian Maly |
2022 |
Gobet, Mélanie et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n / BANG BANG – translocal hi:stories of performance art.
|
|
Folder Masterthesis 13, 2016 |
2016 |
Masterstudio
|
Institut Integrative Gestaltung / Masterstudio
|
|
ACT Basel Eingaben |
2018 |
ACT Performance Festival
|
|
|
lifeClipper3-playground |
2010 |
Torpus, Jan-Lewe et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Postkarten Masterthesis 17, 2018 |
2018 |
Masterstudio
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Program ACT 2022 |
2022 |
ACT Performance Festival
|
|
|
20 years ago, a discussion |
2023 |
Cassens Stoian, Linda et al.
|
ACT Performance Festival
|
|
|
Cultural Sensitivity Through Design Practices |
2018-02-03 |
Falk, Anka
|
CulturalSpace&Design - Research
|
|
|
Blog und Rezension des Kunstmuseums Bern in Zusammenhang mit dem SYMPOSIUM «ARCHIVE DES EPHEMEREN» |
2019 |
Kunstmuseum Bern et al.
|
Archive des Ephemeren
|
|
|
Say Yes or Die |
2014 |
Anthony, Sarah et al.
|
Revolving Histories
|
|
Natur und Mens c h . Eine Annäherung in Theorie und Praxis |
2021 |
Wallucks, Anne et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Migma Programm 2025 |
2025-06-07 |
migma
|
|
|
WIDERSTÄNDIGE WECHSELWIRKENDE ARTEFAKTE |
2026 |
Arndt, Jana Jo
|
HyperWerk
|
|
|
Pressedossier Yuri Vassiliev «Last Next Winter» |
2017 |
Domesle, Andrea et al.
|
Videocity_memoriav
|
|
|
Various Works Documented from the Collaboration between Sarah Bernauer and Garrett Nelson Performance Lectures |
2012-2016 |
Bernauer, Sarah et al.
|
Revolving Histories
|
|
PRACTICING COLLECTIVITY WITH RADIOHR |
2024 |
Achermann, Jodok
|
HyperWerk
|
|
|
Call for Contribution - From the hearth – Resonance as Discovery |
2025-01-26 |
Team peripher_ies
|
Peripher_ies
|
|
|
Material Culture |
2017-06-29 |
Falk, Anka
|
CulturalSpace&Design - Research
|