| titel | year | author | event |
|---|---|---|---|
Shhh-dating |
2016-04-23 | ||
Éloge à une image |
2018-05-05 |
Gence, Alexander
|
|
Son Goku and the Super Sayajin |
2007-05-06 | ||
Son Goku and the Super Sayajin |
2007-05-06 |
Grossenbacher, Denise; Marti, Arno
|
|
Passage |
2018, 2019 |
Schaffer, Did
|
Eröffnung des neuen Tanzhauses
|
Ridebook |
2008 | ||
Lemusa 02 Est-Bidonnais |
2025 | ||
Pyrotoxin |
2017 |
Niedermeier, Katrin
|
|
Trompettes Marines Bilddokumente |
|||
KLINCH, an audiovisual label |
2013 | ||
Lokki |
2022 | ||
Nature moods |
2017 | ||
Narrative Agency Making - Our-shared stories |
2023 | ||
Unter Pflanzen - Exhibition |
2025 |
Meyer, Kathrin; Volkart, Yvonne; Ohlig, Moritz; Olivotto, Sophie
|
|
eMotion |
2017 | ||
so oder so |
2017 |
Karrer, Tom
|
|
Gefährt und Gefährt*innen |
2025 | ||
Tagung: Smart Curation - mehr als ein Schlagwort? |
2017 | ||
«Le mort du Diemtigtal» |
2012-12-20 |
Bühler, Tobias
|
|
Anarchie ist machbar |
2018 | ||
Looking Through |
2010 | ||
Same Same But Different |
2015 | ||
Dampf-Ablassen mit HITHIT |
2010-04-24 | ||
Das Wikipedia Prinzip |
2011-01-19 | ||
Diversa Prolog |
2008 | ||
Mauerspiele in Peking 01 |
2008 | ||
Rozzobianca |
2008-02-26 | ||
BAFALA |
2013 | ||
Untitled |
2016 |
Sarasin, Rahel
|
|
Erinnerungen |
2017 | ||
A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature |
2022 | ||
Mental sanctuary: Analysis on visual parameters |
2021 | ||
Visual Authenticity – Experiments, analyses & synthesis on designing authentic corporate imagery |
2017 | ||
Resign Republic |
2015 | ||
SKRAT.CH |
2009 | ||
FREIHYPE EINE HOMMAGE AN DIE INTRINSISCHE MOTIVATION |
2022 |