| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Amaranth as Political Agent |
2025 |
Mensch, Julia et al.
|
Plant_Intelligence
|
|
|
Traktanden Sommerklausur |
2020-08-20 |
Team peripher_ies
|
Peripher_ies
|
|
Diary of a Nonrealization |
2023 |
Fonti, Laura
|
HyperWerk
|
|
|
Daten und Projektbeschrieb |
2008-01-05 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
ROOMSES - Von Ausstellungsräumen, Körperräumen, Wissensräumen und vom Tanz |
2014 |
Diendorf, Julia et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Cycles of Circulation Website |
2025 |
FHNW, Mediathek HGK Basel
|
Cycles of Circulation
|
|
|
CC_Cycles of Circulation READINGS & REFERENCES |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
|
CC_Cycles of Circulation AWARENESS |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
Cycles of Circulation |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
|
CC_Cycles of Circulation PUBLICATIONS |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
|
CC_Cycles of Circulation PRESENTATIONS |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
|
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
|
List of Ina Lohr’s Published Compositions (incomplete) |
2016 |
Smith, Anne
|
Ina Lohr
|
|
|
Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile |
2021 |
Salgado Cofré, Daniela
|
Memory Full
|
|
|
Ina Lohr - Dutch Christmas recording |
Lohr, Ina
|
OpenAccessPublikationen
|
|
|
|
Peripher_ies Links & References |
2020-07-07 |
Gauthier, Philippe-Aubert
|
Peripher_ies
|
|
|
Stories for industrial design: A close reading of a corded portable electric drill |
2021 |
Pandolfo, Berto
|
Memory Full
|
|
|
Ausschreibung Zürich |
2013-07-07 |
ACT Performance Festival
|
|
|
|
Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 |
Kirnbauer, Martin
|
Frühe Streichinstrumente um 1500
|
|
|
Ganassi – Arbeitstagebuch |
2014 |
Schürch, Stephan
|
OpenAccessPublikationen
|
|
|
Mulier Fortis. 2017; Digitalfotografie, 84.1 cm × 118.9 cm |
2017 |
Schmid, Carina Catharina
|
Diplom HGK
|
|
|
Für die Vögel |
2017-05-27 |
Hausheer, Angela et al.
|
migma
|
|
|
Bau einer Gambe nach Ganassi |
2014 |
Mark, Günter
|
OpenAccessPublikationen
|
|
Feministische Stimmen zur Wikipedia: Who writes his_story? |
2026 |
Brugger, Daniela; Regn, Chris
|
e-Publications
|
|
|
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 |
Lucas, Frances
|
Diplom HGK
|
|
|
The Iconography of the Viola da gamba in Ganassi's Context |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Baselbet. ein Workshop für und von Kindern zum Verständnis von Vorurteilen und Integration |
2021 |
Ponta, Lara Joanna
|
Diplom HGK
|
|
|
Points of Inversion: Upending Structural Narratives in Design History |
2021 |
Zabolotney, Bonne
|
Memory Full
|
|
It's all about Love |
2009 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
|
|
|
Zur Ikonographie der Viola da gamba im Umfeld Ganassis |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Lemusa 02 Est-Bidonnais |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
Jesræ Bienza Le jeu des dieux |
2025 |
Herzog, Samuel; Bienza, Jesræ
|
Lemusa
|
|
|
darkmatter |
2013 |
Nolla, Alejandro et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) |
2022 |
Drescher, Thomas
|
OpenAccessPublikationen
|
|
|
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi |
2013 |
Hirsch, Thilo
|
OpenAccessPublikationen
|