| titel | year | author | event |
|---|---|---|---|
Cold lens as a filter |
2023 | ||
Thailand 2026 - 03 |
2026 | ||
Thailand 2026 - 02 |
2026 | ||
The scream of the strawbear |
2023 | ||
Vaal: my father has a cement mixing truck |
2018 | ||
Verplaatst |
2023 | ||
I Speak Radio |
2024 | ||
Never mind the nineties: eine Medienarchäologie des Kunststandorts Berlin |
2021 | ||
Treasures from the forest: tales of brazilian folklore |
2018 | ||
My name is language |
2020 | ||
Thailand 2026 - 01 |
2026 | ||
I like chaos, but I don’t know whether chaos likes me: Texte aus „Frauen und Film“ |
2021 | ||
Text in public: zine performances and rants |
2022 | ||
Between you and me |
2019 | ||
Economic words |
2021 | ||
Eine Flexible Frau: Drehbuch und Materialien |
2022 | ||
Man schenkt keinen Hund - (No): Bildbeschreibungen und Interviews |
2019 | ||
Inspiring the light in the darkness |
2018 | ||
Jana und ihr Erlebnis mitten in der Nacht |
2018 | ||
Dit and dah |
2019 | ||
Birds |
2019 | ||
Jesræ Bienza Le jeu des dieux |
2025 | ||
Karabol |
2024 | ||
Afterdark |
2015-06-20 |
Livers, Laura; Pogonatos, Benjamin
|
|
enhanced by King Kong |
2001 |
Grau, Pascale
|
|
Corporate Design 2019 |
2019 | ||
Corporate Design 2016 |
2016 | ||
Corporate Design 2017 |
2017 | ||
Corporate Design 2018 |
2018 | ||
Probensegmente Falster |
2025 | ||
Probefotos Probewoche Falster |
2025 | ||
Probensegment: Unglückshaus |
2025 | ||
Probensegment: Narrativ |
2025 | ||
Probensegment: Schattenspiel |
2025 | ||
Programm / Ablauf Probewoche Falster |
2025 | ||
Probensegment: Bird and House |
2025 |