| titel | year | author | event |
|---|---|---|---|
Wiederentdeckung einer Trompette marine von F. Saraillac nach Plänen J.-B. Prins |
2009 | ||
Why does it make sense to speak of intelligence in nature? Yvonne Volkart in conversation with Jeremy Narby |
2025 | ||
Jeu d'enfant. Tirelire, monnaie. |
2015-04-11 | ||
Ein Polyamorie Manifest |
|||
Wie der Wind chunt cho blase |
2015-04-11 | ||
Ohne Titel |
2015-04-11 | ||
Sullivans Creek, cemented |
2020-07-03 | ||
Drain |
2020-07-03 | ||
Die «Écuries» von Versailles |
2009 | ||
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 | ||
Die "Écuries" von Versailles |
|||
Pressespiegel 2014 |
2014 | ||
“Aimable vainqueur” – version 1 with “musica antigua” Recording of the music |
2023 |
Gal, Mojca; Grobelnik, Thys
|
|
Plakatwand Wilde Archive |
01.11.-03.11.2018 | ||
Food is an important part of a balanced diet |
2020 | ||
Dessobons and archaeodesign |
2021 | ||
The Musical Aesthetic of the Singbewegung |
2016 | ||
Building a Ganassi Viol |
2014 | ||
BUMPER TO BUMPER — 1 Einfrau-Performance Leben - nicht überleben will ich! |
1983-1985 |
Vogel, Yvonne
|
43 Performances in der Schweiz, in den Niederlanden, in Deutschland, Oesterreich und den USA
|
I Grow, Therefore I Am. A foreword as an exchange of ideas |
2025 | ||
Das fremde Gesicht |
2015-04-11 | ||
Backstage |
2015-04-11 | ||
Cosmic Strings II |
2018 |
Eller, Tomas
|
|
e-flux Index #3 |
e-flux
|
||
Pressedossier Tomas Eller «Cosmic Strings I» |
2018 | ||
(Transcerebrum) Die Begegnung |
2019 | ||
OUN |
2012-04-05 | ||
Mutanta |
|||
Un essai de reconstruction des Cromornes de la Grande Écurie à la cour de Louis XIV |
2009 | ||
GenerativeSysteme |
2008 | ||
e-flux Index #1 |
e-flux
|
||
Studies VII (with kind permission of Annie Sprinkle) |
2015-04-11 | ||
Towards Love |
2015-04-11 | ||
Publikum/Event |
2015-04-11 | ||
Die «Tambours» am Hof Ludwigs XIV. und Ludwigs XV. |
2009 | ||
Trompeterensembles und ihre Musik im Spätmittelalter |
2021 |