| titel | year | author | event |
|---|---|---|---|
Seeing Klybeck. Visualizing an urban community |
2019 | ||
A Visual Investigation of Feminism. A deconstruction of visual culture towards the design of a new visual language |
2019 | ||
Typography Processing in Augmented Reality. Fitting/Linking/Adapting Texts to Large Objects in Open Space |
2020 | ||
rauwolfia serpentina. Eine postkoloniale Narration zur Komplexität der Pharmazie |
2021 | ||
Recruiting 3.0 |
2022 | ||
ROOMSES - Von Ausstellungsräumen, Körperräumen, Wissensräumen und vom Tanz |
2014 | ||
Von Kartonbergen und Schlitzohren |
2018 | ||
Erinnerungshöhlen |
2020 | ||
War - Guerre - Krieg |
2024 |
Regina Simon, Olha Marchenko
|
|
Traumschule - Ort der Musse - Raum für Potenzialentfaltung |
|||
Mobiles Kinderradio |
2025 | ||
Alpenaustern schlürft man nicht |
2022 | ||
schmutzigweiss. von der Baumwollpflanze zum fertigen T-Shirt – ein Parcours auf dem Theaterplatz |
2021 | ||
ZZZ Zeitfenster zur Zukunft Nr. 2 |
2021 |
de Baan, Nora; Berndt, Tobias
|
AIR_WASTE_HEALTH_WATER_ENERGY_EARTH_SOIL
|
HUB |
2014 |
Lüber, Heinrich
|
|
Zoologie der Träume |
2019 |
Schmalz, René; Gombas, Gabriella
|
|
Gramatik der Räume |
2021 |
Schmalz, René; Gombas, Gabriella; Fehrenbach, Elaine; Loosli, Ruth; Vogel, Fritz Franz; Bourquin, Irene; Grüter, Peter; Muhl, Joshua; Ashinze, Eva; Garcia, Miguel
|
|
Mutantenstadl |
2011 |
[Mutantenstadl]
|
Fusion Festival Stelzenwald
|
Mutantenstadl |
2011 |
[Mutantenstadl]
|
Fusion Festival Stelzenwald
|
Why You Are Taking My Picture |
2018 |
Mihaylova, Albena
|
Second Edition «Tree of Life. Genealogy of Bulgarian Contemporary Art»
|
Mansgoegle |
2018 |
Magos, Gabriel
|
Kunst Szene Zürich 2018
|
HALBDICHTHEITEN |
2009 |
Kühne, Ralph
|
Solothurner Filmtage (Vorfilm Peperminta Pipilotto Rist), Filmfest Dresden, Kustmuseum Luzern, Helmhaus, Montreal Film Festival, VIDEOEX Zürich, ZEBRA Filmfest Berlin, u.a.
|
Nature – Culture. Reshaping the Nature – Culture Division by Creating a Digital Game |
2020 | ||
Exploring the Void. Leaving out of information as a communicative potential in photography |
2019 | ||
Information Visualization to Help the Elderly Understand Smartphones |
2020 | ||
Figurative Daily Objects. The Potential of Pictorial Metaphors |
2018 | ||
The Digital Senses. Awareness of our Interactions with Digital Objects |
2018 | ||
Capturing the Transient. An investigation into before-and-after photography |
2019 | ||
The Process of Liquefaction. Liquidity as a visual concept to understand the society we live in |
2018 | ||
Designing in Metaphors. An analysis of metaphorical thinking in poster design and its creative potential |
2019 | ||
Investigating the Syntactic Aspects of Doodling for Graphic Design |
2019 | ||
out of control – when light is talking |
2016 | ||
Modular Interior. Gedacht als großer elektrischer Kombi mit autonomen Fahrmodus |
2022 | ||
(IN)VISIBLE BORDERS |
2024 | ||
Führung durch die Ausstellung von Andrea Saemann |
2019 |
Saemann, Andrea
|
Eile mit Weile — Zeit für Performance
|
Was (mich) bewegt |
2016 |