| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Cosmic Strings II |
2018 |
Eller, Tomas
|
Videocity_memoriav
|
|
Das fremde Gesicht |
2015-04-11 |
Stiffler, Alexandra
|
ACT Performance Festival
|
|
|
Backstage |
2015-04-11 |
Studer-Harper, Christoph
|
ACT Performance Festival
|
|
|
A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs |
2020 |
Cavazzoni, Andrea
|
Diplom HGK
|
|
|
(Transcerebrum) Die Begegnung |
2019 |
Luterbacher, Manuela
|
HyperWerk
|
|
|
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 |
Wentz, Jed
|
OpenAccessPublikationen
|
|
|
Die «Écuries» von Versailles |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Die "Écuries" von Versailles |
Hirsch, Thilo
|
GrandeEcurie
|
|
|
Sullivans Creek, cemented |
2020-07-03 |
van Gelder, Pia
|
Peripher_ies
|
|
Drain |
2020-07-03 |
van Gelder, Pia
|
Peripher_ies
|
|
|
Say the names |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
Say the names |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
OUN |
2012-04-05 |
Reymond, Laetitia
|
ACT Performance Festival
|
|
|
Mutanta |
Vipera, Zora
|
ACT Performance Festival
|
|
|
|
Food is an important part of a balanced diet |
2020 |
Olsson, Isabell
|
HyperWerk
|
|
|
Building a Ganassi Viol |
2014 |
Kraft, Judith
|
OpenAccessPublikationen
|
|
|
The Musical Aesthetic of the Singbewegung |
2016 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Dessobons and archaeodesign |
2021 |
Gutierrez Borrero, Alfredo
|
Memory Full
|
|
|
I Grow, Therefore I Am. A foreword as an exchange of ideas |
2025 |
Meyer, Kathrin et al.
|
Plant_Intelligence
|
|
Der Katalog als Erzählung. Über die «Library of Inclusions and Omissions» |
2021 |
Weinmayr, Eva
|
e-Publications
|
|
|
GenerativeSysteme |
2008 |
Herzog, Leander
|
HyperWerk
|
|
|
Vom sauberen Gut zur stillen Gefahr Szenografie für ein kollektives Erinnerungssystem gegen die Ausbreitung der Tigermücke |
2026-05-13 |
Dinh, Sarah et al.
|
In3
|
|
|
e-flux Index #3 |
e-flux
|
e-Publications
|
|
|
|
Pressedossier Tomas Eller «Cosmic Strings I» |
2018 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
Studies VII (with kind permission of Annie Sprinkle) |
2015-04-11 |
Bogle, Juergen
|
ACT Performance Festival
|
|
|
Towards Love |
2015-04-11 |
Kadiša, Anastasija et al.
|
ACT Performance Festival
|
|
|
Publikum/Event |
2015-04-11 |
ACT Performance Festival
|
|
|
|
Der Pilz im Patent - Verstimmung, Klinik, LSD |
2022 |
Köppl, Jörg [ensemble metanoia] et al.
|
Revolving Histories
-
|
|
|
Poster Bern |
2012-04-15 |
ACT Performance Festival
|
|
|
|
Der Blick über Kopf Pfützen als szenografisches Element zur Selbstwahrnehmung in therapeutischer Umgebung |
2026-05-13 |
Meyer, Sophie et al.
|
In3
|
|
|
Un essai de reconstruction des Cromornes de la Grande Écurie à la cour de Louis XIV |
2009 |
Robin, Vincent
|
OpenAccessPublikationen
|
|
Tender hooks: Goldrausch 2022 |
2022 |
Smolkina, Stefania et al.
|
e-Publications
|
|
|
e-flux Index #1 |
e-flux
|
e-Publications
|
|
|
|
Die «Tambours» am Hof Ludwigs XIV. und Ludwigs XV. |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Trompeterensembles und ihre Musik im Spätmittelalter |
2021 |
Welker, Lorenz
|
OpenAccessPublikationen
|
|
|
Hyperpunks |
2013 |
Gresenz, Julian
|
HyperWerk
|