| titel | year | author | event |
|---|---|---|---|
Spontaneous reactions cannot anticipate developments over time |
2024-10-21 | ||
Die "Écuries" von Versailles |
|||
I only work with lost and found: [Goldrausch 2024] |
2024 | ||
Der Pilz im Patent - Verstimmung, Klinik, LSD |
2022 |
Köppl, Jörg [ensemble metanoia]; Zulauf, Tim [ensemble metanoia]; Collin, Léon [ensemble metanoia]
|
-
|
Re-engaging with Design History through the Practical Turn |
2021 | ||
Rybeben am Hof Maximilians I. |
2015 | ||
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 | ||
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 | ||
La guitare en France vers 1800 Textes du projet de recherche |
2014 | ||
Die Groß Geige in der Kunst am Oberrhein (Urs Graf, Matthias Grünewald, Hans Holbein d. J.) |
2015 | ||
Ina Lohr – Seele der Schola Cantorum Basiliensis |
2016 | ||
Reconstructing the “fifres” of the Grande Écurie |
2009 | ||
Performancekunst abgespeichert und eingeschrieben: Potentiale des Körpers als Archiv und Wissensspeicher |
2022 | ||
schappeLan |
2003 | ||
Early bowed instruments around 1500, Part I (Italy) |
2013 | ||
Performing Negotiations: Protocol |
2019-2020 |
Nilo, Dawn
|
|
Karabol |
2024 | ||
Presse ACT 2022 |
2022 | ||
Artist contribution: Enforcing human rights through legal means. |
2024-03 | ||
Sichtbar, Unsichtbar |
2015-04-11 | ||
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 | ||
Controlling Crowds |
2015-04-11 | ||
Beyond Trinity |
2015-04-11 | ||
Lecture I |
2015-04-10 | ||
70 Trillion |
2015-04-11 | ||
Zufällige Wiedergabe |
2015-04-11 | ||
Besame Mucho |
2015-04-11 | ||
Drehung |
2015-04-11 | ||
Moderation |
2015-04-10 | ||
Publikum/Event |
2015-04-10 | ||
Language Is Skin. I Rub My Language Against The Other. |
2015-04-10 | ||
Es ist zu Ende |
2015-04-11 | ||
apresperf.ch – Moving Performance To Text |
2015-04-10 | ||
Organisation du projet - Colloque |
|||
Sun-Catchers, Sensors, Shape-Shifters: Reclaiming the Intelligence of Plants |
2025 | ||
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 |