| titel | year | author | event |
|---|---|---|---|
Artist contribution: Enforcing human rights through legal means. |
2024-03 | ||
Shifts in Mapping - Introduction to the Symposium |
2021 |
Schranz, Christine
|
|
CC_Cycles of Circulation SUBPROJECTS |
2025 | ||
Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production |
2021 | ||
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 | ||
Points of Inversion: Upending Structural Narratives in Design History |
2021 | ||
Briefing Postcards from Switzerland |
2021 | ||
A missing narrative of Ghana’s graphic design history |
2021 | ||
Postcard 2: Swiss Graphic Design. A visit to the Plakatsammlung Basel |
2021 |
Zulji, Ilhan; Weber, Marco
|
|
Re-engaging with Design History through the Practical Turn |
2021 | ||
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 | ||
Houses, Drawing Rooms and Attics: Contemporary Spatial Practices and Historicity of Alternative Memory in Colonial Kodava Houses (1834-1947) |
2021 | ||
Postcard 9: Remote but not forgotten. Looking for Knorrli, the Knorr soups mascot, in the Maggia Valley |
2021 |
Gregor, Natalie; Tonini, Rahel; Steiner, Nadja
|
|
Postcard 11: Memory and Gender. A visit to the exhibition "Robes Politiques", Textilmuseum St Gallen |
2021 |
Zufferey, Nicolas; Rick, Timo; Steiner, Nadja
|
|
Postcard 1: I wish you were here. A virtual tour on the FHNW Campus |
2021 |
Steffen, Noemi; von der Crone, Monika
|
|
Almanaque: A Collaborative Approach to Design Research and Puerto Rican Identity |
2021 | ||
Postcard 4: Preserve or Decay. Tracks of Max Bill |
2021 |
Broman, Hanna; Bürki, Anna Chiara; Hugentobler, Karin
|
|
Objects of a Memory Loss: Dining Tables as a Cultural Agent in Late Ottoman Istanbul |
2021 | ||
Postcard 5: Memory Strata. Documenting the Novartis Campus |
2021 |
Cordero, Tanya; Krug, Lena
|
|
Capability of Design for “Modernizing” the Memories of History: The Jerusalem Committee’s Ambitious Challenge |
2021 | ||
HfG-Archiv Ulm Online. From Exclusive Reality to Inclusive Virtuality |
2021 | ||
Data Recovery of Lithuanian Design History: stories and links from visual folders of Antanas Kazakauskas’ archive |
2021 | ||
A Mnemonic Device for Belfast: Drawing the Ring of Steel |
2021 | ||
Turning hegemonic charts of urbanization: South America and the Pacific through Amereida’s geo-poetic mapping |
2021 | ||
We Missed the Mark: The Impacts of Well-Intentioned, but Racist, Design |
2021 | ||
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 | ||
Postcard 6: collective memory. Following Bally's footsteps |
2021 |
Fey, Yannick; Salgado, Micaela; Köfer, Soraya
|
|
Beginnings of Swiss Game Design. The Home Computer Scene of the 1980s |
2021 | ||
Reviving the memory of Modernist type designer Joan Trochut |
2021 | ||
Imagining Other Futures: Historical Interrogation and Radical Publishing |
2021 | ||
Design Debates, Reader Voices, and the Histories within Design Blogs |
2021 | ||
Postcard 10: Closed Archive. Almost a visit to the Montreux Jazz Heritage Lab |
2021 |
Brander, Gertrud; Mertenat, Joé; Steiner, Nadja
|
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Death of Women: The Dark Side of Modern Design History |
2021 | ||
Stories for industrial design: A close reading of a corded portable electric drill |
2021 | ||
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 | ||
The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts |
2021 |