| titel | year | author | event |
|---|---|---|---|
Sugardaddy |
1) 6. Juni 2004 _ 2) 19. März 2005 |
Hofer, Susanne; Bucher, Claudia
|
1) Collective _ 2) KUNSTEXPANDER - Festival für Grenzüberschreitungen
|
CHEZ LIZ |
2017 |
Hilti, Anna [Salon Liz]; Thöny, Stefanie [Salon Liz]; Zumbühl, Anita [Salon Liz]
|
|
FahrAwaY - Ballett |
2021 |
Wey, Nina; Weyeneth, Donath; Weyeneth, Solvejg; Steinemann, Valentin; Van Brakel, Liza; Lombardi, Luca; Keller, Lukas
|
|
"About Time" and "CONFETTI - Until it pops": Artist talk with Mercedes Borgunska and Mélanie Gobet in conversation with Valerian Maly |
2022 |
Gobet, Mélanie; Borgunska, Mercedes; Maly, Valerian
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n / BANG BANG – translocal hi:stories of performance art.
|
Lavage (Diapositive) |
2012 |
Zürrer, Anna-Sabina
|
|
Viola da gamba/Violone, 1585 |
1585 | ||
Trompette marine, ~1700 |
1675-1725 | ||
Trompette Marine, 1761 |
1761 | ||
tryina hold my tongue |
2018-05-05 |
Gamma, Noah
|
|
M280 Quid ultra debui facere tibi |
|||
M279 Ego eduxi te per desertum |
|||
M276 Popule meus quid feci tibi |
|||
M277 Ego eduxi te de Aegypto |
|||
M278 Ego eduxi te mare rubrum |
|||
M292 O genitrix gloriosa |
|||
Orphée et une allégorie de la musique |
1633 - 1682 | ||
Cromorne, 1761 |
1761 | ||
T A T O R T - Parkinglot |
2014 |
Silber, Alex
|
|
Trompette marine, ~1715 |
1715 | ||
Regola Rubertina, Titelbild |
1542 | ||
Vignette und Abbildung aus der "Lettione seconda", 1543 |
1543 | ||
Modell für die Saiteneinteilung der Viola da gamba, 1543 |
1543 | ||
Dancer in the Dark (Exzerpt) |
2001 |
Feldmeier, Sonja
|
|
Interface Design in Digital History: An Interdisciplinary Dialogue |
2021 | ||
To See in Reverse: Decoding and Decolonizing Design Language and Thinking |
2021 | ||
Design as Common Good / Framing Design through Pluralism and Social Values |
2021-03-30 | ||
Proceeding Publication Submission Helsinki |
2024-01-12 | ||
Rukku Just read version (betwixt and between) |
2025-12-11 | ||
Betwixt and Between: How the Covid-19 Pandemic changed Media and Education |
2023-04-23 | ||
Soundlab |
2025 | ||
Plastic Be/ings |
2016 | ||
BarrioCom |
2003 | ||
2. Projektbeschreibung Stand 1. Workshop |
2020-04-09 | ||
Weaving–Unweaving the Observer |
2026 | ||
inputout series |
2009 | ||
Projektbeschreibung Definitv Sommer 2020 |
2020-06-15 |