| titel | year | author | event |
|---|---|---|---|
Objects of a Memory Loss: Dining Tables as a Cultural Agent in Late Ottoman Istanbul |
2021 | ||
Oral histories of researching: community building workshop |
2021 | ||
Postcard 5: Memory Strata. Documenting the Novartis Campus |
2021 |
Cordero, Tanya; Krug, Lena
|
|
Book presentation 2: meet the author Penny Sparke |
Sept 2, 2021 |
Sparke, Penny; Eastment, Mark
|
|
Recording & Inventing: image-making workshop |
2021 | ||
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 | ||
Capability of Design for “Modernizing” the Memories of History: The Jerusalem Committee’s Ambitious Challenge |
2021 | ||
Shifts in Mapping - Critical Map Visualizations |
2021 |
Felsing, Ulrike; Frischknecht, Max
|
|
HfG-Archiv Ulm Online. From Exclusive Reality to Inclusive Virtuality |
2021 | ||
Book presentation 3: meet the authors Rober Lzicar, Davide Fornani, Sarah Klein, Sandra Bischler and Sara Zeller |
Sept 3, 2021 |
Lzicar, Robert; Fornani, Davide; Klein, Sarah; Bischler, Sandra; Zeller, Sara
|
|
Shifts in Mapping - Atlas of Indexical Cities |
2021 |
Alvarez-Marin, Diana
|
|
Data Recovery of Lithuanian Design History: stories and links from visual folders of Antanas Kazakauskas’ archive |
2021 | ||
A Mnemonic Device for Belfast: Drawing the Ring of Steel |
2021 | ||
Turning hegemonic charts of urbanization: South America and the Pacific through Amereida’s geo-poetic mapping |
2021 | ||
We Missed the Mark: The Impacts of Well-Intentioned, but Racist, Design |
2021 | ||
Summary pre-conference programme and keynote 1: Ahmed Ansari, New York |
Sept 1, 2021 |
Ansari, Ahmed; Oropallo, Gabriele; Ernst, Meret; Cosich, Tai; Bischler, Sandra; Anderson, Fiona
|
|
Die Pop-Up Mediathek der HGK Basel FHNW. Ein Diskussionsformat unter dem Titel 'Ask a Librarian'. Dokumentation |
2024 | ||
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 | ||
Postcard 6: collective memory. Following Bally's footsteps |
2021 |
Fey, Yannick; Salgado, Micaela; Köfer, Soraya
|
|
Beginnings of Swiss Game Design. The Home Computer Scene of the 1980s |
2021 | ||
Official opening and keynote 2: Alexandra Midal, HEAD, University of Art and Design, Geneva |
Sept 2, 2021 |
Midal, Alexandra
|
|
Reviving the memory of Modernist type designer Joan Trochut |
2021 | ||
Imagining Other Futures: Historical Interrogation and Radical Publishing |
2021 | ||
Design Debates, Reader Voices, and the Histories within Design Blogs |
2021 | ||
Postcard 10: Closed Archive. Almost a visit to the Montreux Jazz Heritage Lab |
2021 |
Brander, Gertrud; Mertenat, Joé; Steiner, Nadja
|
|
Death of Women: The Dark Side of Modern Design History |
2021 | ||
Stories for industrial design: A close reading of a corded portable electric drill |
2021 | ||
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
DHS annual publishing workshops |
2021 | ||
Keynote 3: Jussi Parikka, Winchester School of Art |
Sept 3, 2021 |
Parikka, Jussi
|
|
Convenors' review of day 1 |
Sept 3, 2021 |
Ernst, Meret; Gaspar, Monica
|
|
Whose memory is it anyway? Indefinite Faces of Modernism: Notes on Industrial Forms/ Design in Interwar and Socialist Romania |
2021 | ||
The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts |
2021 | ||
Postcard 3: Strollology. City walks and the question of design |
2021 |
Mehret, Shewit; Mumenthaler, Harumi
|
|
Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile |
2021 |