| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Minaret Somg |
2001/2 |
Aeschbach, Urs et al.
|
Revolving Histories
|
|
|
Bilderbühne 3/4 |
1999 |
Hiepler, Esther et al.
|
Revolving Histories
|
|
Rhizom |
2006 |
Pfeiffer, Stella et al.
|
Revolving Histories
Gruppenausstellung und Performance
|
|
PUBLIC THIS-PLAY |
2017 |
Lippuner, Rafael et al.
|
Revolving Histories
Neoscope
|
|
Sympoison |
2018 |
Luv, Linda et al.
|
Revolving Histories
Symposium "Mit Denkmälern sprechen?"
|
|
|
wir danken |
2001 |
Zacek, Peter et al.
|
Revolving Histories
|
|
|
Shift the Manifesto |
2019 |
Dillier, Monika et al.
|
Revolving Histories
Performancepreis Schweiz
|
|
Spaziergang mit Weltbild |
2004 |
Balzer, Mathias et al.
|
Revolving Histories
|
|
Schlafkonzert |
2016 |
Wagner, Bernhard et al.
|
Revolving Histories
|
|
|
Die Tragödie der blauen Orangen |
2020 |
Fivian, Camilla
|
Diplom HGK
|
|
|
How to get in touch |
2019 |
Herbstrith, Stefanie
|
Diplom HGK
|
|
|
Gramazio - Kohler und die Zukunft des Bauens |
2017-04-06 |
Gramazio, Fabio
|
DigitalBrainstorming
|
|
Es ist zu Ende |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
Deckchen |
2017 |
Cantieni, Eveline et al.
|
Revolving Histories
Biennale 2017
|
|
|
The strings we pull when the dancers in the club start tipping each other (I mean actually I’m meant for the strip club, but what’s a museum if not a strip club) (the three headed dolphin) |
Slattery, Yann
|
Next Generation
|
|
|
|
Baybayoke |
Bebing, Angelica
|
Next Generation
|
|
|
|
hereish and nowish |
2017 |
Knobel, Stefanie et al.
|
Revolving Histories
Eine Ausstellung für Dich/ An Exhibition for You
|
|
Tiefe Wasser |
2013 |
Rohner, Isabel et al.
|
Revolving Histories
Wuppertaler Performancenacht Wuppertal (D)
|
|
Körper als Material |
2018 |
Römmelt, Ronja et al.
|
Revolving Histories
Lecture Performance im Rahmen der Einzelausstellung Körper, Blume, Wasser Gras von Andriu Deplazes
|
|
|
Sitting |
2020 |
Stauffer, Gregory et al.
|
Revolving Histories
Dance First. Think Later
|
|
L'animoteur 5 + 6 - selfie or I am donkey |
2018 |
Rust, Dorothea et al.
|
Revolving Histories
Digital Ecologies 2018–2019, Plovdiv, Bulgaria, Fold I, 2018. Operaismo Naturale: Ecology of the Event
|
|
|
Standar T. The T-Shirt as Mapping Tool |
2019 |
Elberskirch, Charleen et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Tierra I |
2019 |
Bucher, Claudia et al.
|
Revolving Histories
Von Insel zu Insel, ein Projekt zum Kulturaustausch zwischen Kuba und der Zentralschweiz
|
|
Fragmente I – VI |
2021 |
Wittmer, Mahtola et al.
|
Revolving Histories
Wittmer, Mahtola (Solo)
|
|
Pom Pom Girls |
2011 |
Buckel, Milena et al.
|
Revolving Histories
|
|
Algenarbeit |
2018 |
Bänninger, Christine et al.
|
Revolving Histories
Salon créatrices.ch
|
|
Empty Verssels, Klanginstallation |
2009 |
Lucier, Alvin et al.
|
Revolving Histories
|
|
|
FFOAAM Vol. 5 |
2016 |
Brugger, Daniela et al.
|
Revolving Histories
|
|
|
work no. 295. a sequel |
2015 |
[Lea & Adrian]; [Lea & Adrian]
|
Revolving Histories
|
|
|
BUMPER TO BUMPER — LEBENSSINNILLUSIONSSHOW |
1979-1981 |
Vogel, Yvonne et al.
|
Revolving Histories
61 Performances an Festivals, in Theatern und Off- und Off-Off-Bühnen
|
|
kredit. bezhalt sein um nichts zu tun, 2007 |
2007 |
RELAX et al.
|
Revolving Histories
Ausstellung "Close Enough. Walking Conference"
|
|
|
Wie der Wind chunt cho blase |
2015-04-11 |
Iseli, Monika
|
ACT Performance Festival
|
|
Über/Brücken |
2020 |
Abächerli, Olivia et al.
|
Revolving Histories
Nairs in movimaint
|
|
Radio Lewa |
2013 |
Bürgin, Mirjam et al.
|
Revolving Histories
-
|
|
Gorilla Woman und Frauen*streik Warm Up |
2019 |
Maag, Irene et al.
|
Revolving Histories
Performances zum Manifest des Frauen*Streiks
|
|
Dreamworld |
2016 |
Dong, Quynh et al.
|
Revolving Histories
Manifesta 11
|