| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
e-flux Index #2 |
e-flux
|
e-Publications
|
|
|
The Drawing Project |
1998 |
Huwiler, Bernhard et al.
|
Revolving Histories
|
|
Gross Geigen & Rybeben - North-Alpine ‚Viola da gamba‘ Ensembles in the Early 16th Century |
2015 |
Hirsch, Thilo
|
Frühe Streichinstrumente um 1500
|
|
|
Objects of a Memory Loss: Dining Tables as a Cultural Agent in Late Ottoman Istanbul |
2021 |
Bici, Esra
|
Memory Full
|
|
|
Becoming Soundscape – Listening, Perceiving and Acting |
2024-10-15 |
Team peripher_ies
|
Peripher_ies
|
|
COMMODI-FICTION |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION
|
|
Let's Mobilize: What is Feminist Pedagogy – Workbook |
2016 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Signel - Electroluminescent Signaling Glove for Urban Cycling |
2013 |
Chavarro, Sandra et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
The Shawm and the Alta Ensemble during the “Slide Trumpet Years” |
2021 |
Gilbert, Adam Knight
|
OpenAccessPublikationen
|
|
|
Direktions- und Generalbasspraxis in Händels Oratorien Die Orgelstimmen zum «Alexanderfest» |
2025 |
Leininger, Thomas
|
OpenAccessPublikationen
|
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
|
Changing aesthetical taste in ottoman interiors in the 1740s |
2021 |
Songulen, Nazli
|
Memory Full
|
|
|
Houses, Drawing Rooms and Attics: Contemporary Spatial Practices and Historicity of Alternative Memory in Colonial Kodava Houses (1834-1947) |
2021 |
B.G., Chinnappa
|
Memory Full
|
|
|
The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts |
2021 |
Formia, Elena et al.
|
Memory Full
|
|
|
HfG-Archiv Ulm Online. From Exclusive Reality to Inclusive Virtuality |
2021 |
Short, Carolina et al.
|
Memory Full
|
|
|
BUMPER TO BUMPER — 1 Einfrau-Performance Leben - nicht überleben will ich! |
1983-1985 |
Vogel, Yvonne et al.
|
Revolving Histories
43 Performances in der Schweiz, in den Niederlanden, in Deutschland, Oesterreich und den USA
|
|
|
DINO |
2004 |
Eller, Tomas
|
Videocity_memoriav
|
|
|
2018-04-14 |
Luv, Linda
|
ACT Performance Festival
|
|
|
|
Graffititiere |
2018-04-14 |
ACT Performance Festival
|
|
|
|
2018-04-14 |
Naef, Riccarda
|
ACT Performance Festival
|
|
|
|
PRESENCING |
2018-04-14 |
Kocakaya, Sibel
|
ACT Performance Festival
|
|
|
Artist contribution: Enforcing human rights through legal means. |
2024-03 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
STRIVING 4 CONNECTION & SEARCHING FOR SOFT SPACES |
2024 |
Kober, Seraina Maria
|
HyperWerk
|
|
|
MY LITTLE DYSTOPIA |
2024 |
Nhieu, Fiona
|
HyperWerk
|
|
|
contact microphone, body stamps with ink |
2018-04-14 |
ACT Performance Festival
|
|
|
|
Nicola Vicentino vs. Ghiselin Danckerts: Or: The Heresy of the Ascending Major Semitone |
2026 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
disguised people. (white painting uniform + animal mask) |
2018-04-14 |
Rück, Sebastien et al.
|
ACT Performance Festival
|
|
|
… Züricher Performance Bewegungen que(e)r gelesen: von ihren vermuteten, spekulierten und ausgemachten Anfängen bis ca. 2021 … |
2025 |
Rust, Dorothea
|
Revolving Histories
|
|
|
Spiele mit Leiter |
2018-04-14 |
Herrle, Kishana et al.
|
ACT Performance Festival
|
|
|
Hortense |
2018-04-14 |
Oberson, Antonie et al.
|
ACT Performance Festival
|
|
|
collecting strings and neps from people |
2018-04-14 |
Man Ma, Wing
|
ACT Performance Festival
|
|
|
tryina hold my tongue |
2018-05-05 |
Gamma, Noah
|
ACT Performance Festival
|
|
|
malen mit ton |
2018-04-14 |
Ottavi, Chiara
|
ACT Performance Festival
|
|
|
wartehaus mit vogelgezwitscher |
2018-04-14 |
Schennach, Svenja et al.
|
ACT Performance Festival
|
|
|
maître flûtiste dessine Dua Lipa |
2018-05-05 |
Schaub, Nelson
|
ACT Performance Festival
|