| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today |
2019 |
Rizzotti, Mario Fabio
|
Diplom HGK
|
|
|
Table des matières / Table of contents |
2017 |
Ireland, Robert Michael
|
Diplom HGK
|
|
|
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 |
Smith, Anne
|
OpenAccessPublikationen
|
|
Visual Smell Wheel: Scents of the Amazonian Chemospace |
2024 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Materialität im Internet-State-of-Mind |
Gedlek, Alice et al.
|
Next Generation
|
|
|
|
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 |
Ernst, Meret; Gaspar, Mònica
|
Memory Full
|
|
|
The Visual Lateral Directionality of Images. With a focus on the aspects: language-reading direction and handedness |
2019 |
Aiyub, Amer
|
Diplom HGK
|
|
The new form of the theatre and possible scenarios of the theatre development after the Coronavirus pandemic |
2021 |
Ballek, Valeriia et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
shaped bodies (sand) – making of |
2017 |
Matz, Fabian
|
Summe2017
|
|
|
"the backdoor of the backdoor" |
2017-05-27 |
Raynal, Colin et al.
|
migma
|
|
School of not Talents workshop |
2022 |
Raka, Jorge
|
ACT Performance Festival
|
|
The Walls of this Dam |
2025-04-26 |
Aranberri, Leire
|
ACT Performance Festival
|
|
The scream of the strawbear |
2023 |
Cowan, Matthew
|
e-Publications
|
|
|
Fragments of our Future Past |
Reymond, Claire et al.
|
Next Generation
|
|
|
|
12 inches of my mind |
Loekito, Jacqueline et al.
|
Next Generation
|
|
|
|
The Rapt of the Jockeys |
Weinberger, Hannah et al.
|
Next Generation
|
|
|
|
The Nulling of Apparent Motion |
Amsler, Matthias
|
Next Generation
|
|
|
|
chaos of our strongest feelings |
Lisa Jäger / Mila Superstar,
|
Next Generation
|
|
|
|
Convenors' review of day 2 |
Sept 4, 2021 |
Ernst, Meret; Gaspar, Monica
|
Memory Full
|
|
|
detached agency and brief sights of intensity |
2020 |
Carella, Elias
|
Diplom HGK
|
|
|
Implementation of GOCFL WORKFLOW for Research Data. Reporting and publication of clustered data packages |
2024 |
Lurk, Tabea
|
Werke
|
|
|
Enduring Liveness. Towards building Networks of Care |
02.11.2018 |
Dekker, Annet
|
Archive des Ephemeren
|
|
Studies VII (with kind permission of Annie Sprinkle) |
2015-04-11 |
Bogle, Juergen
|
ACT Performance Festival
|
|
Repetitive mpvement of turning pages to read books |
2020-07-03 |
Matsushima, Mone
|
Peripher_ies
|
|
|
A missing narrative of Ghana’s graphic design history |
2021 |
Okyere, Mark et al.
|
Memory Full
|
|
|
The Power of Systematic Digital Design |
Tacheva, Yoana et al.
|
Next Generation
|
|
|
|
Lully and the rise of the oboe as seen in works of art |
1988 |
Haynes, Bruce
|
HSM-Datenbanken
|
|
Oral histories of researching: community building workshop |
2021 |
Foffa, Andrea et al.
|
Memory Full
|
|
|
Future of Diagnostics and Laboratory in 2050 |
Kazemi, Kosar
|
Next Generation
|
|
|
|
ALL THE COLOURS OF THE RAINBOW |
2022 |
Byrne, Dasha
|
Diplom HGK
|
|
|
“Aimable vainqueur” – version 1 with “musica antigua” Recording of the music |
2023 |
Gal, Mojca; Grobelnik, Thys
|
OpenAccessPublikationen
|
|
|
KOMPOST QWADER. worm composter out of wood |
2020 |
Schnellmann, Jasmin
|
Diplom HGK
|
|
Surrounded by Spaces - an Introspective Point of View |
2018 |
Klinkenberg, Sophia
|
Institut Integrative Gestaltung / Masterstudio
|
|
Solidificaction of Foam. Reconnecting with Microorganisms |
2019 |
Tapajnova, Helenka
|
Institut Integrative Gestaltung / Masterstudio
|
|
"Rybeben" at the Court of Maximilian |
2015 |
Kirnbauer, Martin
|
Frühe Streichinstrumente um 1500
|
|
Enhancing the Quality of the Living Experience of Individuals with Disabilities through Design/ The Role and Potential of Emerging and Future Technologies |
2024 |
Fathollahi, Sina; Ernst, Meret
|
Institut Integrative Gestaltung / Masterstudio
|