| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
WHAT AM I, IF NOT A CLOWN? |
2024-04-20 |
Tzikas, Maria-Lusie
|
ACT Performance Festival
|
|
|
Postcard 2: Swiss Graphic Design. A visit to the Plakatsammlung Basel |
2021 |
Zulji, Ilhan et al.
|
Memory Full
|
|
|
Food is an important part of a balanced diet |
2020 |
Olsson, Isabell
|
HyperWerk
|
|
|
Träumen im Kongo Love H Kiris Kongo ABC A |
2008 |
Herzog, Samuel
|
Lemusa
|
|
|
Homesickness. Searching for a Way Home through an Image |
Kruk, Natalia et al.
|
Next Generation
|
|
|
Jäger von Zoest - A fine Art Concept |
2012 |
Natsch, Yolanda Esthersther Esther et al.
|
Revolving Histories
Liste Art Fair Basel
|
|
|
TENDIES. Don't be a chicken, be tender! |
2022 |
Günther, Janice
|
Diplom HGK
|
|
|
Visual Language. A Collection of Verbal Contrasts |
2018 |
Bühler, Johanna
|
Diplom HGK
|
|
|
Noosphärentrümmer II (A Future Unwilling to Come) |
2019 |
Langschied, Till
|
Diplom HGK
|
|
|
La huida hacia adelante (A flight forward) |
Laguna Diel, Lena et al.
|
Next Generation
|
|
|
|
You say Witch like it`s a bad thing. |
2019 |
Waltisperg, Victoria
|
Diplom HGK
|
|
|
High-Pitch Destruction, The Womb Is a Matrix, A Lullaby, Semi-Aquatic, Semi-Detached Desire, Odd Growth |
Didde Bo,
|
Next Generation
|
|
|
|
Invisible Borders. An outsider's perspective through a participatory approach |
2022 |
Rubaba, Michael Munyaradzi
|
Diplom HGK
|
|
|
Doesn't it seem like a good time for swimming? |
Bruder, Johannes et al.
|
Next Generation
|
|
|
|
HIGHLY SENSITIVE PERSON (HSP) A KIND OF DIARY. |
2022 |
Garnier, Sophie
|
HyperWerk
|
|
|
HIGHLY SENSITIVE PERSON (HSP) A KIND OF DIARY. |
2022 |
Garnier, Sophie
|
HyperWerk
|
|
|
Growing stones - a design approach to synthetic biology |
2018 |
Briod, Manon
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
A Mnemonic Device for Belfast: Drawing the Ring of Steel |
2021 |
Catterall, Kate
|
Memory Full
|
|
|
Performance Lektüren |
2013-09-27 |
Gebhardt Fink, Sabine et al.
|
ACT Performance Festival
|
|
M009 Prodiit puer de puella : Res a saeclis inaudita |
Gaffurius, Franchinus
|
Motet Cycles
|
|
|
Conversation with Jennifer Hayashida: Translating as a practice of reuse |
2025 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
White Panic - a Satire on how to maintain white Privilege. |
2018-04-22 |
Jónsdóttir, Hildur Elísa
|
ACT Performance Festival
|
|
|
Visual Biography as a Wellbeing Tool for Later Life |
Serra, Bérénice et al.
|
Next Generation
|
|
|
|
Almanaque: A Collaborative Approach to Design Research and Puerto Rican Identity |
2021 |
Alejandro, Jason et al.
|
Memory Full
|
|
|
Pretty Ugly. Redefining the aesthetic narrative of a shopping trolly |
2022 |
Ossler, Hanne
|
Diplom HGK
|
|
Insert #7: Plant Intelligence – Towards a Vegetal Aesthetics |
2025 |
Volkart, Yvonne
|
Plant_Intelligence
|
|
Vaal: my father has a cement mixing truck |
2018 |
Thompson, Johanna et al.
|
e-Publications
|
|
|
Driving around where the crescents used to be. A scrip |
2015 |
Mayland, Marian
|
Summe2017
|
|
|
one apple a day keeps the doctor away |
2018-05-05 |
Schultz, Julie
|
ACT Performance Festival
|
|
|
Remember what we forgot: A high pressure Lullaby |
2025-04-26 |
Collective Heartbreak
|
ACT Performance Festival
|
|
|
one apple a day keeps the doctor away |
2018-05-05 |
Schultz, Julie
|
ACT Performance Festival
|
|
|
Attitudes Toward Guns A Transdisciplinary Work of Design |
2019 |
Antonietti, Laura et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Notre-Dame des Friches - a Ride for Piero |
2017 |
Rüsseler, Evelyn
|
Summe2017
|
|
|
Die Pop-Up Mediathek der HGK Basel FHNW. Ein Diskussionsformat unter dem Titel 'Ask a Librarian'. Dokumentation |
2024 |
Lurk, Tabea
|
Werke
|
|
Konzept |
2023 |
Grau, Pascale; Daphi, Dorothee
|
ARCHIVES & BEYOND
|
|
|
Santo Amaro’s bedroom view (after a painting by José Escada) |
2021 |
Pinto, Diogo
|
Diplom HGK
|