| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Interview with Ina Lohr, 1983 |
2016 |
Leussink, Jos
|
OpenAccessPublikationen
|
|
|
Jean-Baptiste Prin, Traité sur la trompette marine, 1742 Transkription und deutsche Übersetzung von Thilo Hirsch |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
Elektronische Zärtlichkeit - Ästhetische Korrespondenzen in einer elektro-textilen Raumhülle |
2018 |
Kellner, Sophie et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
SE Strangely Elated |
2021 |
Decaillet, Pascal et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Space and Time |
2015-04-11 |
Saraç, Öszan
|
ACT Performance Festival
|
|
|
Reviving the memory of Modernist type designer Joan Trochut |
2021 |
Balius, Andreu
|
Memory Full
|
|
|
e-flux Index #2 |
e-flux
|
e-Publications
|
|
|
The Drawing Project |
1998 |
Huwiler, Bernhard et al.
|
Revolving Histories
|
|
Gross Geigen & Rybeben - North-Alpine ‚Viola da gamba‘ Ensembles in the Early 16th Century |
2015 |
Hirsch, Thilo
|
Frühe Streichinstrumente um 1500
|
|
COMMODI-FICTION |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION
|
|
|
Objects of a Memory Loss: Dining Tables as a Cultural Agent in Late Ottoman Istanbul |
2021 |
Bici, Esra
|
Memory Full
|
|
|
Becoming Soundscape – Listening, Perceiving and Acting |
2024-10-15 |
Team peripher_ies
|
Peripher_ies
|
|
|
But that's another story, Part II (Jeff Wall, Milk 1984) |
2010-04-11 |
Schauecker, Renée
|
ACT Performance Festival
|
|
|
The Shawm and the Alta Ensemble during the “Slide Trumpet Years” |
2021 |
Gilbert, Adam Knight
|
OpenAccessPublikationen
|
|
|
Direktions- und Generalbasspraxis in Händels Oratorien Die Orgelstimmen zum «Alexanderfest» |
2025 |
Leininger, Thomas
|
OpenAccessPublikationen
|
|
|
Signel - Electroluminescent Signaling Glove for Urban Cycling |
2013 |
Chavarro, Sandra et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
|
Houses, Drawing Rooms and Attics: Contemporary Spatial Practices and Historicity of Alternative Memory in Colonial Kodava Houses (1834-1947) |
2021 |
B.G., Chinnappa
|
Memory Full
|
|
|
HfG-Archiv Ulm Online. From Exclusive Reality to Inclusive Virtuality |
2021 |
Short, Carolina et al.
|
Memory Full
|
|
|
Changing aesthetical taste in ottoman interiors in the 1740s |
2021 |
Songulen, Nazli
|
Memory Full
|
|
|
The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts |
2021 |
Formia, Elena et al.
|
Memory Full
|
|
«Oceanic Issues - Mensajes Oceánicos» |
2021 |
Saemann, Andrea; Regn, Chris
|
Doce en Diciembre
|
|
f: La Répète |
siehe pdf |
Köhle, Petra et al.
|
Revolving Histories
f: la répète, le foyer
|
|
|
DINO |
2004 |
Eller, Tomas
|
Videocity_memoriav
|
|
|
BUMPER TO BUMPER — 1 Einfrau-Performance Leben - nicht überleben will ich! |
1983-1985 |
Vogel, Yvonne et al.
|
Revolving Histories
43 Performances in der Schweiz, in den Niederlanden, in Deutschland, Oesterreich und den USA
|
|
|
Artist contribution: Enforcing human rights through legal means. |
2024-03 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
STRIVING 4 CONNECTION & SEARCHING FOR SOFT SPACES |
2024 |
Kober, Seraina Maria
|
HyperWerk
|
|
|
MY LITTLE DYSTOPIA |
2024 |
Nhieu, Fiona
|
HyperWerk
|
|
|
Nicola Vicentino vs. Ghiselin Danckerts: Or: The Heresy of the Ascending Major Semitone |
2026 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
2018-04-14 |
Luv, Linda
|
ACT Performance Festival
|
|
|
|
Graffititiere |
2018-04-14 |
ACT Performance Festival
|
|
|
|
Programm / Abstracts / Bios |
2018 |
PANCH, AG Performative Archive
|
Archive des Ephemeren
|
|
|
2018-04-14 |
Naef, Riccarda
|
ACT Performance Festival
|
|
|
|
PRESENCING |
2018-04-14 |
Kocakaya, Sibel
|
ACT Performance Festival
|
|
|
word wide web Sewing a Storybook |
2025 |
Eigenheer, Julia
|
HyperWerk
|