| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Lecture: The today of the future |
2011 |
digitalbrainstorming
|
DigitalBrainstorming
|
|
|
Workshop: CCTV - A Trail of Images |
2009 |
digitalbrainstorming
|
DigitalBrainstorming
|
|
|
Videocity visits Manchester School of Art |
Videocity_memoriav
|
||
|
|
Reflexion: Joelle Valterio PRESENCE OF ABSENCE |
08.11.2020 |
Maag, Irene
|
6_2_Performance-Duos
|
|
For the Love of 8601 Diamonds |
2008-05-02 |
Degen, Stephanie
|
ACT Performance Festival
|
|
|
The Bag Of The Death Fotografie |
15.08.2020 |
Spoolder, Mirjam et al.
|
Must or Not
|
|
|
The Bag Of The Death Fotografie |
15.08.2020 |
Spoolder, Mirjam et al.
|
Must or Not
|
|
|
Enhancing Creativity Through the Practice of Abstract Photography in Childhood Education. Developing Design-Thinking Skills in the Visual Literacy Context |
2019 |
Rivarola, Ana Laura
|
Diplom HGK
|
|
|
Food is an important part of a balanced diet |
2020 |
Olsson, Isabell
|
HyperWerk
|
|
|
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 |
McHugh, Christopher
|
Memory Full
|
|
|
Cross your fears crossroad of fears Crown your fear |
2020-04-17, 19:00 |
Torné, Maelle et al.
|
ACT Performance Festival
|
|
|
Ina Lohr – Early Compositions Recording of the Concert on 10 November 2017, with Commentary |
2017 |
OpenAccessPublikationen
|
|
|
|
Reconstructing the "fifres" of the Grande Écurie |
Berney, Boaz
|
GrandeEcurie
|
|
|
|
Reviving the memory of Modernist type designer Joan Trochut |
2021 |
Balius, Andreu
|
Memory Full
|
|
|
Methods of parametric design and future implementation |
2018 |
Ackermann, Oliver
|
HyperWerk
|
|
|
Postcard 4: Preserve or Decay. Tracks of Max Bill |
2021 |
Broman, Hanna et al.
|
Memory Full
|
|
|
out of control – when light is talking |
2016 |
Zarn, Corsin; Michel, Ralf
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Spaces of (Be)longing - Eine kuratorische Auseinandersetzung |
2023 |
Catak, Arpa Ani
|
HyperWerk
|
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
|
Nicola Vicentino vs. Ghiselin Danckerts: Or: The Heresy of the Ascending Major Semitone |
2026 |
Smith, Anne
|
OpenAccessPublikationen
|
|
Möbelstück |
2006 |
[Kollabor] et al.
|
Revolving Histories
<Temps Elastique>
|
|
|
Hold on to our free way of life |
2017 |
andreasschneider, monsieur
|
Summe2017
|
|
Conversation with Jennifer Hayashida: Translating as a practice of reuse |
2025 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
H.R. and the Formation of an Early Music Aesthetic in The Netherlands (1916–1921) |
2016 |
Wentz, Jed
|
OpenAccessPublikationen
|
|
|
Masquerade beyond Boundaries - The Art of Protesters and Outsiders |
2017 |
Barut, Özge et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
random act of kindness. Over-Ear-Kopfhörer mit Sinneserweiterung |
2021 |
Perren, Samuel
|
Diplom HGK
|
|
|
A Becoming A Master of Ugly/Sexy. The Draedalix Experience |
2018 |
Berman, Nora Sophie
|
Diplom HGK
|
|
|
in utero (unbearable lightness_The Trivial Pursuit of Happiness) |
2007 |
Naegelin, Barbara
|
Videocity_memoriav
|
|
|
How Do We Organize Our Reading Direction?. On the Organization of Our Reading Direction (this is more title-like, though your version is also correct) |
2018 |
Park, Sunjung
|
Diplom HGK
|
|
|
Visual Language. A Collection of Verbal Contrasts |
2018 |
Bühler, Johanna
|
Diplom HGK
|
|
|
Lecture: The Sound of the Electronic Hands |
2001 |
digitalbrainstorming
|
DigitalBrainstorming
|
|
Alien Nightlife - The Sound of the Extraterrestrials |
2015-06-01 |
Theisohn, Philipp et al.
|
DigitalBrainstorming
|
|
|
sadness is a matter of professional help |
2004-05-03 |
Matzek, Benjamin
|
ACT Performance Festival
|
|
|
sadness is a matter of professional help |
2004-04-11 |
Matzek, Benjamin
|
ACT Performance Festival
|
|
|
Happiness is the proof of the pudding |
2013-09-27 |
Weibel, Cécile et al.
|
ACT Performance Festival
|