| titel | year | author | event |
|---|---|---|---|
In Formation. Future Memoirs of Indian Matchbox labels |
2022 | ||
HIGHLY SENSITIVE PERSON (HSP)A KIND OF DIARY. |
2022 | ||
Designing in Metaphors. An analysis of metaphorical thinking in poster design and its creative potential |
2019 | ||
The Curious Story of Low Pitch at the Schola Cantorum Basiliensis |
2020 | ||
Future Communications. Investigating Nonlinear Methods of Digital Communication |
2020 | ||
Studies VII (with kind permission of Annie Sprinkle) |
2015-04-11 |
Bogle (fake is fabulous inc.), Juergen -
|
|
Window of FAME - Performance Bühne |
2020 |
Foeldes, Tibor; Pfaundler, Jakob; Jeanneret, Zoé; Huna, Alexander; Mettler, Marianne
|
|
Keynote 3: Jussi Parikka, Winchester School of Art |
Sept 3, 2021 |
Parikka, Jussi
|
|
Food is an important part of a balanced diet |
2020 | ||
Der Katalog als Erzählung. Über die «Library of Inclusions and Omissions» |
2021 | ||
Visual Language. A Collection of Verbal Contrasts |
2018 | ||
Chronicles of the space that once was |
2017-04-08 |
Lorysmar, Franco
|
|
Lecture: The Sound of the Electronic Hands |
2001 | ||
sadness is a matter of professional help |
2004-04-11 |
Matzek, Benjamin
|
|
Alien Nightlife - The Sound of the Extraterrestrials |
2015-06-01 | ||
sadness is a matter of professional help |
2004-05-03 |
Matzek, Benjamin
|
|
Happiness is the proof of the pudding |
2013-09-27 |
Weibel, Cécile; Maurer, Manuela; Zimmermann, Maja; Baldinger, Andrea; Baldinger, Martina
|
|
Shifts in Mapping - Atlas of Indexical Cities |
2021 |
Alvarez-Marin, Diana
|
|
What is the world expecting of me? |
2025 | ||
The 'Musica instrumentalis deudsch' of Martin Agricola |
1994 | ||
“Aimable vainqueur” – version 1 with “musica antigua” Recording of the music |
2023 |
Gal, Mojca; Grobelnik, Thys
|
|
The Process of Liquefaction. Liquidity as a visual concept to understand the society we live in |
2018 | ||
Reviving the memory of Modernist type designer Joan Trochut |
2021 | ||
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 | ||
Hold on to our free way of life |
2017 |
andreasschneider, monsieur
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 | ||
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 | ||
Seeing with Hands, Touching with Eyes. Providing new experiences with integration of Visual and Tactile Perception |
2017 | ||
Popular Admiration of Great Thieves - Allgemeine Bewunderung Grosser Diebe |
1998 |
Good, Niki; Hahn, Alexander
|
|
Cultural Spaces and Design. Prospects of Design Education |
2019 | ||
in utero (unbearable lightness_The Trivial Pursuit of Happiness) |
2007 |
Naegelin, Barbara
|
|
Cross your fears crossroad of fears Crown your fear |
2020-04-17, 19:00 |
Torné, Maelle; Seppas, Eric; Karlsson Elwin, Joshua
|
|
Postcard 4: Preserve or Decay. Tracks of Max Bill |
2021 |
Broman, Hanna; Bürki, Anna Chiara; Hugentobler, Karin
|
|
Möbelstück |
2006 |
[Kollabor]
|
<Temps Elastique>
|
HIGHLY SENSITIVE PERSON (HSP) A KIND OF DIARY. |
2022 | ||
HIGHLY SENSITIVE PERSON (HSP) A KIND OF DIARY. |
2022 |