| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Circlet - Circe |
1995 |
Grossenbacher, Bettina et al.
|
Performance Chronik Basel
|
|
Den Visualierungen gehört die Zukunft |
2019-04-04 |
Kenderdine, Sarah
|
DigitalBrainstorming
|
|
Die Frau als Gebärmaschine |
1994 |
Dietschi, Sarah
|
Institut Mode-Design Web
|
|
|
2011-06-19 |
Burger, Sarah
|
PPP-ProgrPerformancePlattform
|
|
|
L'ID CULTEUR |
2014 |
Zussy, Sarah
|
HyperWerk
|
|
Allowance und Choice - Über den Prozess, wie ich Verbindungen eingehen lerne |
2023 |
Heinrich, Sarah
|
HyperWerk
|
|
|
Vom sauberen Gut zur stillen Gefahr Szenografie für ein kollektives Erinnerungssystem gegen die Ausbreitung der Tigermücke |
2026-05-13 |
Dinh, Sarah et al.
|
In3
|
|
Erwünschter und unerwünschter, peripher blickender Wespenfeedbackservice (offiziell) |
2012-04-05 |
Müller, Sarah Elena Chantal
|
ACT Performance Festival
|
|
Emergency Feedback Service |
2013-04-13 |
Orlowska, Ernestyna et al.
|
ACT Performance Festival
|
|
lV Reality Show Live |
2010-04-24 |
Davatz, Sabrina; Graf, Sarah
|
ACT Performance Festival
|
|
2011-04-20 |
Bernauer, Sarah; Korol, Viktor
|
ACT Performance Festival
|
|
|
SAS |
2018-04-18 |
Bilon, Tressia et al.
|
ACT Performance Festival
|
|
operation cesar |
2018-04-18 |
Delbos, Léa et al.
|
ACT Performance Festival
|
|
Feedback |
2012-04-05 |
Müller, Sarah Elena Chantal
|
ACT Performance Festival
|
|
Voyage en association libre |
2018-05-05 |
Guth, Sarah
|
ACT Performance Festival
|
|
|
throw down the gauntlet |
2017 |
Hari, Gregory et al.
|
Revolving Histories
140 YEARS OF COUNTER SPACE
|
|
|
Les fifres dans les compagnies entre 1660 et 1761 |
van Cornewal, Sarah
|
GrandeEcurie
|
|
|
Fifres |
van Cornewal, Sarah et al.
|
GrandeEcurie
|
|
|
|
Les fifres dans les compagnies entre 1660 et 1761 |
2009 |
van Cornewal, Sarah
|
OpenAccessPublikationen
|
|
Bucky Balls |
2008 |
Bänninger, Christine et al.
|
Revolving Histories
Artpicnic, Kunstweg in Wabern Bern, Ausstellung im öffentlichen Raum von der Aare auf den Gurten 2008
|
|
|
Wortkörper |
2005 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
fragile |
2021 |
Bentschik, Lyn et al.
|
Revolving Histories
4. FATart Fair 2021 / oxyd Kunsträume Winterthur / BØWIE Gallery Genf
|
|
VIRUS |
2021 |
Duyvendak, Yan et al.
|
Revolving Histories
|
|
|
FRONTIERS OF UTOPIA |
1995 |
Scott, Jill et al.
|
Revolving Histories
Multimediale
|
|
Strategies of Seed |
2018 |
Edens, Saskia et al.
|
Revolving Histories
residency Artic Action
|
|
|
168 Stunden Wassertragen |
2014 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
mono |
2018 |
[ensemble metanoia] et al.
|
Revolving Histories
|
|
|
Various Works Documented from the Collaboration between Sarah Bernauer and Garrett Nelson Performance Lectures |
2012-2016 |
Bernauer, Sarah et al.
|
Revolving Histories
|
|
|
Die vergessenen Kinder der Kunst |
2001 |
Burger, Sarah et al.
|
Revolving Histories
THE FORGOTTEN CHILDREN OF ART FROM GLARUS
|
|
Futurespectives - Performing the Louise Guerra Archive |
2018 |
Siegrist, Kathrin [Louise Guerra Archive] et al.
|
Revolving Histories
République Géniale
|
|
|
Shift the Manifesto |
2019 |
Dillier, Monika et al.
|
Revolving Histories
Performancepreis Schweiz
|
|
|
sing think |
2009-2012 |
Schürch, Dorothea et al.
|
Revolving Histories
|
|
|
CHEZ LIZ |
2017 |
Hilti, Anna [Salon Liz] et al.
|
Revolving Histories
|
|
|
Say Yes or Die |
2012 |
Anthony, Sarah et al.
|
Revolving Histories
|
|
Say Yes or Die |
2012 |
Anthony, Sarah et al.
|
Revolving Histories
Extra Ball
|
|
Bacches |
2011 |
Hurter, Regula et al.
|
Revolving Histories
GO!C!ART Festival
|